| 李继侠.原研哉平面设计中的哲学理念及对现代生活的意义研究[J].包装工程,2016,37(18):194-197. |
| 原研哉平面设计中的哲学理念及对现代生活的意义研究 |
| Philosophy Idea and the Significance of Modern Life in Kenya Hara Graphic Design |
| 投稿时间：2016-05-16 修订日期：2016-09-20 |
| DOI： |
| 中文关键词: 日常化 空 白 无印良品 |
| 英文关键词: day-to-day work empty white Muji |
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| 中文摘要: |
| 目的 适当给生活留点白，运用纯粹的生活态度，倡导设计者回到内心最初萌芽的地方，探寻设计本身最单纯的心灵吸引力。 方法 首先讨论日本著名平面设计大师原研哉设计中的“有”、 “无”哲学，接着通过设计作品的解读分析其设计理念中的“空”与“白”，最后指出原研哉设计理念对现代适度生活的影响意义，进而提出对现代适度生活所影响下的设计感悟。 结论 设计师要运用最简单的表现手法展现事物所可能蕴含的丰富情感，使得设计简约而不简单。 |
| 英文摘要: |
| Leave some white life, appropriate use of pure life attitude, advocate designer back to the place of the original green shoots of inner, explore the design itself the most pure heart. Based on the Kenya Hara design style "have" and "nothing", "empty" and "white" philosophy research, it puts forward appropriate for modern life under the influence of the design of comprehension. It first discusses the Japanese famous master graphic design in the design of the Kenya Hara "have" and "nothing" philosophy, and then through the interpretation of design works to analyze its design concept of "empty" and "white", finally points out that the Kenya Hara impact moderately design concept of modern life. Designers have to use the simplest technique of expression to show things might contain rich emotion, makes the design is contracted and not simple. |
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