| 刘立伟.日本设计中的手感探析[J].包装工程,2018,39(18):234-237. |
| 日本设计中的手感探析 |
| Touch of Japanese Design |
| 投稿时间：2018-05-25 修订日期：2018-09-20 |
| DOI：10.19554/j.cnki.1001-3563.2018.18.044 |
| 中文关键词: 日本 设计 手感 |
| 英文关键词: Japanese design touch |
| 基金项目:2016年大连医科大学本科教学改革研究项目（DYLX16064） |
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| 中文摘要: |
| 目的 对日本设计中的手感存在的形式、表现与成因进行分析与研究，从传统器物出发，将研究重点放在手感与设计之间的联系和融合层面，更好的体会“哀物”、“内省”、“寡欲质素”等日本艺术内涵关键词。方法 以手感的造物本源为基础，通过设计实物中的手感表现和意境延伸进行研究，在日本民族艺术实例和衍生出的设计风格的基础上立体化的看待手感本源在日本民族美学中的地位，找到设计思维萌发的根源。结论 日本设计中的手感源于传统器物制作，沉淀出了朴实、浓厚的爱物惜物情感。无论是平面设计中的物料实体，还是新媒体设计中的虚拟视觉，都同样延续着日本文化与传统设计中的手感意境。神道信仰和禅学思维是日本设计中手感表达的精神源头与理念基础。 |
| 英文摘要: |
| The work aims to analyze and study the form, performance and cause of the touch in Japanese design, and place the research emphasis on connection and integration between the touch and the design starting from the traditional artifacts, so as to better understand such keywords as "cherish things", "inner thinking", "less desire" and "simple essence", etc. Based on the creator origin of touch, the research was conducted through the touch performance and mood extension in the physical design. Based on the examples of Japanese national art and the derived design style, the stereoscopic view of the touch origin in Japanese national aesthetics was observed and the roots of the germination of design thinking was found. The touch of Japanese design comes from the traditional artifacts production and precipitates out simple and strong emotion about objects loving and caring. The mood of touch continues in Japanese culture and traditional design from whether material entity in graphic design, or virtual vision in new media design. Shinto faith and the spirit of Zen thinking are the spiritual source and conceptual basis of the touch in the Japanese design. |
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