文章摘要
乔宇.传统文化与现代审美结合下的圈椅再设计[J].包装工程,2018,39(20):231-234.
传统文化与现代审美结合下的圈椅再设计
Redesign of the Ming Style Chair under the Traditional Culture and Modern Aesthetic
投稿时间:2018-08-12  修订日期:2018-10-20
DOI:10.19554/j.cnki.1001-3563.2018.20.038
中文关键词: 传统文化  明式家具  设计再造  现代美学
英文关键词: traditional culture  furniture of the Ming dynasty  redesigning  modern aesthetics
基金项目:北方工业大学科研启动基金项目资助;2018国家艺术基金项目资助(31200741);2018北京市社科基金项目资助(18YTC025)
作者单位
乔宇 北方工业大学 机械与材料工程学院北京 100144 
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中文摘要:
      目的 在文化觉醒的社会背景下,对明式圈椅的再设计工作进行研究。方法 对传统圈椅的工艺与形制进行研究。针对中国传统家具的“形态符号”及“结构语意符号”,通过以现代审美思考为导向的研究方式,以及从现代设计装饰需求出发的研究思路,提炼设计的语意代码。以传统文化与现代设计的有机融合作为设计的出发点,在设计流程中关注传统文化与现代的生活方式的融合,设计造型在体现传统元素的同时,通过造型再设计使其符合现代审美特征。针对传统中式家具中具有鲜明特征的形态结构进行抽取、提炼与再设计,从而产生传统家具的新演绎。结论 活性传承包含过去、现在也包括未来。文化觉醒不是文化复归,其根本目的在于加强本土文化的转型自主能力,使其适应新时代的要求。文化设计不是照搬过去的设计形制,而是必须面对当下的生活方式与审美要求,使传统元素与现代创造有机融合。
英文摘要:
      The work aims to study the redesign of the Ming style chair under the current social background of culture awaking. The technology and structure of traditional chairs were studied. The semantic code of design was extracted by the research mode with modern aesthetic as guidance and through the research thoughts based on the demands of modern design and decoration according to the “form symbol” and “structural semantic symbol” of Chinese traditional furniture. The organic integration of traditional culture and modern design was regarded as the starting point of design to focus on the combination of traditional culture and the modern lifestyle. While reflecting the traditional elements, the design modeling could meet the modern aesthetic characteristics through the redesigning. The morphological structure with instinct characteristics in the traditional Chinese furniture could be extracted, abstracted and redesigned to form the new deduction. The activity inheritance contains past, present and future. The culture awakening rather than the culture restoration aims to strengthen the transformational autonomy of local culture so as to adapt to the demands of new era. Instead of copying the design structure in the past, the cultural design must face the present lifestyle and aesthetic requirements to integrate traditional elements and modern creation organically.
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