| 易祖强.20世纪英国朋克音乐出版物中的文字设计[J].包装工程,2018,39(24):23-27. |
| 20世纪英国朋克音乐出版物中的文字设计 |
| Typography in 20th Century England Punk Music Publications |
| 投稿时间：2018-10-23 修订日期：2018-12-20 |
| DOI：10.19554/j.cnki.1001-3563.2018.24.005 |
| 中文关键词: 朋克 文化研究 文字设计 |
| 英文关键词: Punk culture research typography |
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| 中文摘要: |
| 目的 针对20世纪英国朋克音乐出版物中的文字设计进行文化理论层面的探讨。方法 将相关的典型人物及案例放置于包括设计史在内的总体框架中加以观察，通过借用当代文化理论，特别是伯明翰学派对青年亚文化展开研究的理论工具，对当时朋克音乐出版物中的文字设计进行文化意义方面的阐释分析。结论 作为青年亚文化代表的朋克及其对应的设计美学，在20世纪七八十年代兴起是二战后文化多元主义转向的一种必然结果，但局部的，呈现抵抗意味的文字设计样式风格实质上仍旧被纳入到了设计符号工业生产的总体逻辑之中。 |
| 英文摘要: |
| A Cultural Research Perspective on the Typography in British Punk Music Publications in the 20th Century. The relevant typical characters and cases are placed in the overall framework including design history to observe the typography in the punk music publications by borrowing contemporary cultural theories, especially the theoretical tools of the Birmingham School to study young subcultures. Interpretation analysis in the cultural sense. As a representative of youth subculture, punk and its corresponding design aesthetics, the rise of the 1970s and 1980s is an inevitable result of the cultural pluralism after World War II, but the partial, typography style of resistance is still essentially It has been incorporated into the overall logic of designing symbolic industrial production. |
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