| 王静艳，朱史霞.汉字字体设计的重心概念辨析[J].包装工程,2018,39(24):39-42. |
| 汉字字体设计的重心概念辨析 |
| Barycenter Concept of Chinese Typeface Design |
| 投稿时间：2018-09-12 修订日期：2018-12-20 |
| DOI：10.19554/j.cnki.1001-3563.2018.24.008 |
| 中文关键词: 重心 中心 视觉中心 |
| 英文关键词: barycenter centrality optic center |
| 基金项目:教育部人文社会科学研究青年基金项目（17YJC760089） |
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| 中文摘要: |
| 目的 明确重心的定义。方法 通过对重心概念的来源进行考察，并结合汉字艺术的实践，为重心下定义，并辨析重心、中心、视觉中心三者。结果 提出了“重心”的定义，并明确“重心、中心、视觉中心”是3个指向不同的概念。结论 “重心”是字的各个笔画按一定规律结合在一起后，所形成的重量的均衡点，视觉中心只是调整重心的参考位置，将重心设定到视觉中心的位置，有利于读者阅读。 |
| 英文摘要: |
| The work aims to clarify the definition of barycenter. By investigating the source of barycenter concept and combined with the practice of Chinese character art, the barycenter was defined, and it was discriminated from centrality and optic center. After clarifying the definition of "barycenter", it was clear that "barycenter, centrality and optic center" were three different concepts. In conclusion, "barycenter" is the equilibrium point of the weight formed by the strokes after the strokes of the words are structured according to certain rules. Optic center is only the reference position for the adjustment of barycenter. Setting the barycenter to the position of the optic center is conducive to reading. |
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