| 陈楠.建构中国汉字设计史理论体系[J].包装工程,2023,44(10):12-23, 107. |
| 建构中国汉字设计史理论体系 |
| Construction of Theoretical System of Chinese Character Design History |
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| DOI：10.19554/j.cnki.1001-3563.2023.10.002 |
| 中文关键词: 汉字 汉字设计 设计史 设计学 设计教育 |
| 英文关键词: Chinese character Chinese character design design history design design education |
| 基金项目:古文字与中华文明传承发展工程项目(G1912) |
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| 中文摘要: |
| 目的 立足设计学的研究视野，从传播学、美学等跨学科视角，梳理兼具信息传播与艺术审美双重功能的汉字文化发展历程，旨在建立新的汉字设计史观，将汉字从纯粹的美术学或文字学中独立出来，形成相对独立的设计研究体系，为汉字设计教育与设计实践提供更为系统完整的理论依据与学术支撑。方法 采用文献调研法、对比研究法、实证研究法等多学科研究方法，厘清汉字设计相关学术概念，梳理汉字形态与呈现载体的演变以及汉字文化与国计民生的逻辑关联，全面、系统地考察汉字发展中的设计问题。将汉字形态与设计形式的历史演变作为横向发展轴线，挖掘其中潜藏的文化脉络;将汉字设计思维、依托技术载体、实践应用作为纵向发展轴线，探索汉字发展中内在逻辑要素间的关系。结果 首先鲜明地提出“中国汉字设计史”的学术概念，其次从横向与纵向梳理汉字设计史的主体结构，在设计学的视角下建构史论体系，最后将汉字设计智慧与方法运用于艺术设计教学与具体的设计实践之中。 结论 以“汉字设计史观”发掘汉字中蕴涵的中国传统文化深厚的设计智慧与文化内涵，提升其在艺术设计教育与设计实践领域的文化价值，拓展汉字设计的理论研究空间和实践创作场域，为构建中国汉字设计史的学科体系、学术体系及话语体系提供有益的理论支撑。 |
| 英文摘要: |
| The work aims to sort out the cultural development of Chinese characters with both information dissemination and artistic aesthetic functions based on the research vision of design from the interdisciplinary perspectives of communication, aesthetics, etc., so as to establish a novel historical view of Chinese character design and separate Chinese characters from pure art or typography, thus forming a relatively independent design research system, and providing Chinese character design education and design practice with more systematic and complete theoretical basis and academic support. Through the combination of literature research, comparative research, empirical research and other multidisciplinary research methods, the academic concepts related to Chinese character design were clarified, the evolution of Chinese character forms and presentation carriers were combed, the logical context of Chinese character culture and national livelihoods were sorted out, and the design issues in the development of Chinese characters were examined in a comprehensive and systematic manner. The historical evolution of Chinese character form and design style was used as the horizontal axis of development to explore the hidden cultural context. The relationship between the internal logical elements in the development of Chinese characters was explored with Chinese character design thinking, supporting technical carriers and practical applications as the vertical axis.Firstly, the concept of "history of Chinese character design" was distinctly proposed. Secondly, the main structure of the history of Chinese character design was sorted out from both horizontal and vertical latitudes. The historical theoretical system was constructed from the perspective of design, and then the accumulated wisdom and methods of Chinese character design were applied to art and design teaching, and concrete design practice. The "historical view of Chinese character design" can be used to explore the profound design wisdom and connotations of traditional Chinese culture in the Chinese characters, enhance the cultural value in art and design education, and design practice and expand the theoretical research space and practical creation field of Chinese character design, thus providing theoretical basis for constructing the disciplinary, academic and discourse system for the history of Chinese character design. |
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