| 贾璟,李卓鹏,张贝贝.以故宫建筑文化为例的老北京铜火锅餐具设计研究[J].包装工程,2024,45(14):243-252. |
| 以故宫建筑文化为例的老北京铜火锅餐具设计研究 |
| Design of Old Beijing Copper Hot Pot Tableware with Architectural Culture of the Forbidden City as an Example |
| 投稿时间：2024-02-07 |
| DOI：10.19554/j.cnki.1001-3563.2024.14.025 |
| 中文关键词: 北京铜火锅 故宫建筑 餐具 陶瓷 |
| 英文关键词: Beijing copper hot pot architecture of the forbidden city tableware ceramic |
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| 中文摘要: |
| 目的 探索故宫宫殿的建筑特征以及文化象征意义，通过衍生设计，让消费者在饮食体验中有效地体验故宫建筑文化，为老北京铜火锅餐具赋予浓厚的本土文化底蕴。方法 通过Warell提出的设计句法分析解释了故宫的建筑特征，同时根据著名学者Lin，R. T.的文创设计模型，将故宫的特征转译至适合陶瓷火锅餐具的产品设计研究中。结果 故宫建筑的歇山顶、飞檐翘角、太和殿正脊、天坛祈年殿和建筑制式五种文化表征内容能有效地融合应用在陶瓷火锅餐具设计中，获奖的作品和实际应用结果为研究增添了客观的证据。结论 使用的两种研究方法能为文化遗产研究和文创设计活动提供可靠借鉴。在新研究方法的介入下，有助于深入挖掘和拓展本土优秀的文化遗产，进而以文创产品为载体形式实现文化遗产的可持续发展。 |
| 英文摘要: |
| The work aims to explore the architectural features and cultural symbolism of the Forbidden City, conduct derivative design to enable consumers to effectively experience the architectural culture of the Forbidden City in the food experience, and attach a strong local cultural heritage to the old Beijing copper hotpot tableware. The architectural features of the Forbidden City was analyzed through the design syntactic analysis proposed by Warell. At the same time, the features of the Forbidden City was translated into the product design research suitable for ceramic hotpot tableware according to the cultural and creative design model of a famous scholar Lin, R. T. In the end, the five representations, which were the East Asian hip-and-gable roof, the eaves and cornices, the ridge of the Hall of Supreme Harmony, the Hall of Prayer for Good Harvest, and the architectural style, could be effectively integrated into the design of ceramic hotpot tableware. The award-winning works and the practical application results provide objective evidence to the research. In conclusion, the two research methods can provide reliable reference for research, cultural and creative design of cultural heritage. With the help of the research methods, it is helpful to deeply explore and expand the excellent local cultural heritage, and then achieve the sustainable development of cultural heritage in the form of cultural and creative products |
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