| 黎映川,胡洁,郭美星,付玉龙,王伶羽.基于网格系统方法的敦煌石窟雕版印刷经书版面设计研究[J].包装工程,2024,(24):244-253. |
| 基于网格系统方法的敦煌石窟雕版印刷经书版面设计研究 |
| Paradigm Study on Layout Design of Woodblock Printed Scriptures in Dunhuang Caves Based on Grid System Approach |
| 投稿时间：2024-07-03 |
| DOI：10.19554/j.cnki.1001-3563.2024.24.024 |
| 中文关键词: 敦煌经书 雕版印刷 网格系统 版面设计 设计范式 |
| 英文关键词: Dunhuang scriptures woodblock printing gird system layout design design paradigm |
| 基金项目:国家社科基金重大项目(17ZDA020) |
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| 摘要点击次数: |
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| 中文摘要: |
| 目的 基于网格系统方法，分析敦煌石窟雕版印刷经书的版面形态，探析其内在的设计范式，为当代设计实践提供方法层面的借鉴，促进敦煌设计思想在实践层面的现代性转换。方法 本研究将现存于世的敦煌石窟雕版经书样本置入网格系统，以建构版面的网格系统作为基础，结合定量分析、定性分析、文献研究等方法，对网格约束下字体、风格、排版三个纬度进行综合分析，归纳并整理出敦煌石窟雕版印刷经书范式的基本特征。结果 通过对样本版面的条分缕析，其范式总结为编排范式、图文范式、字体范式与视觉范式四个主要设计范式，并在实例设计中验证了这些范式的有效性和普适性。结论 本研究针对敦煌石窟中的雕版印刷部分进行了深度剖析，梳理了敦煌石窟中唐代至元代用于宗教传播雕版印刷版面设计的演化过程，归纳与总结出基本的设计范式，提出一种与之相对应的当代设计框架。通过基于设计实践的反馈，推动了敦煌美学观与当代设计的融合，为传统文化的传承与传播提供了有益的路径，并为敦煌设计思想在当代焕发新的生命力提供了理论和实践支持。 |
| 英文摘要: |
| The work aims to analyze the layout of woodblock printed scriptures from the Dunhuang caves and explore their intrinsic design paradigms based on a grid system approach, to provide methodological references for contemporary design practice and to facilitate the modern transformation of Dunhuang design thinking in practice. With the grid system of the Dunhuang caves as the basis for the construction of the layout, quantitative analysis, qualitative analysis, and documentary research were combined to analyze the three latitudes of typeface, style, and typography under the constraints of the grid, and to summarize and organize the basic features of the Dunhuang caves scripture paradigm. Through a detailed analysis of the sample layout, the paradigm was summarized into four main design paradigms:layout paradigm, graphics and text paradigm, font paradigm and visual paradigm, and the effectiveness and universality of these paradigms were verified in the example design. This study conducts an in-depth analysis of the woodblock printing part of the Dunhuang posthumous documents, clarifies the evolution process of the woodblock printing layout design used for religious communication in the Dunhuang caves from the Tang Dynasty to the Yuan Dynasty, summarizes the basic design paradigm, and proposes a corresponding contemporary design framework. Through feedback based on design practice, it promotes the integration of Dunhuang aesthetics and contemporary design, provides a beneficial path for the inheritance and dissemination of traditional culture, and offers theoretical and practical support for Dunhuang design ideas to revitalize in the contemporary era. |
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