| 摘要: |
| 目的 通过对良渚神人兽面纹的造物逻辑、构成形式和内涵寓意进行研究整理，分析和提取良渚神人兽面纹，利用AIGC技术对神人兽面纹图形进行创新性的重组与排序，研究一种融合现代审美的良渚神人兽面纹生成方法。方法 在研究过程中从良渚博物馆的实物及文献资料入手，通过深入分析具体案例，对其艺术风格、常用形态进行系统和深入分析，解读良渚神人兽面纹的内涵寓意，归纳和提炼良渚神人兽面纹图形的典型性元素。从造型语言和文化内涵中寻找良渚的典型图形，结合AIGC技术与算法的特性对良渚典型图形进行自动化的生成和优化处理。结论 利用AIGC技术对良渚神人兽面纹进行创新性的重组和排序，可以帮助拓宽设计师的思维，从活化传承的角度把原始的图腾纹饰语言转译成现代设计语言，令其形式更加多元化。将良渚文化内涵和理念更好地融入到现代家居产品当中，拓宽家居产品的设计应用思路。 |
| 关键词: 生成式人工智能(AIGC) 良渚神人兽面纹 家居产品设计 活化创新 |
| DOI：10.19554/j.cnki.1001-3563.2025.08.052 |
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| 基金项目: |
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| Innovative Design and Activation Application of Liangzhu Divine Human Beast Face Patterns Based on AIGC in Home Products |
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YU Yanan, WANG Hong
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(Zhejiang Agriculture and Forestry University, Hangzhou 311300, China)
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| Abstract: |
| The work aims to study and organize the creation logic, composition form, and connotation of Liangzhu divine human beast face patterns, analyze and extract Liangzhu divine human beast face patterns, use AIGC technology to creatively reorganize and sort the simplified graphics of Liangzhu, and explore a method for generating a Liangzhu divine human beast face pattern that integrates modern aesthetics. The research starts with the physical objects and literature materials of Liangzhu Museum, and through in-depth analysis of specific cases, the artistic style and commonly used forms, interprets the connotation and meaning of Liangzhu divine human beast face patterns were systematically and deeply analyzed. Typical elements of Liangzhu divine human beast face patterns were summarized and extracted. Typical graphics of Liangzhu were searched from the language and cultural connotations of modeling, and were automatically generated and optimized in combination with the characteristics of AIGC technology and algorithms. In conclusion, the innovative recombination and sorting of Liangzhu divine human beast face patterns using AIGC technology can help broaden the thinking of designers, translate the original totem decoration language into modern design language from the perspective of activating inheritance, make its forms more diversified, better integrate the connotation and concept of Liangzhu culture into modern home products, and broaden the design application ideas of home products. |
| Key words: recombination of separated decorative elements |
