目的 素髹漆器以独特的样态特征在手工业尤其是制瓷业发达的两宋时期占有一席之地。以此为例，为漆器实现当代转型提供参考。方法 从人员良莠不齐、接续困难;漆器品类相对单一、脱离生活日用;市场较为混乱、管理机制不健全等3个方面分析了漆器行业的现状，同时对标两宋素髹漆器的外观、功能、工艺、制度样态，并复归历史情境，剖析其生存离不开理学的流行、文人的兴起、科技的进步、商业的繁荣、制度的合理，进一步对照当下社会语境。结论以古鉴今，提出功能考虑实用性、设计符合时代审美、制作运用现代技术、营销树立品牌意识、建立健全行业法规制度是漆器当代转型的必由路径，并尝试提出相应的具体实施和操作方法，构建理论模型。

Plain lacquered ware was popular as a unique modality characteristic in the Song Dynasty when handicrafts especially porcelain were extremely developed. Taking it as an example, this paper provides a reference for lacquerware to achieve contemporary transformation. This paper analyzes the current situation of the lacquerware industry from three aspects:uneven personnel and persistent difficulties; the relatively single category of lacquerware and its separation from daily use; the confusion of the market and the unsound management mechanism. At the same time, it compares the appearance, function, technology and system of plain lacquered ware in the Song Dynasty, returns to the historical situation, and analyzes that the survival of plain lacquered ware is inseparable from the popularity of Neo Confucianism, the rise of literati, the progress of science and technology, the prosperity of Commerce and the rationality of system, and further compares with the current social situation. By using ancient ideas for today's reference, this paper puts forward that the necessary path for contemporary transformation of lacquerware should take into account practicality in function, aesthetics in design, modern technology in production, brand awareness in marketing, and the establishment of a sound regulatory system for the industry, try to proposed the corresponding specific implementation and operation methods,build theoretical model.