目的 分析形式、构造和功能在设计观念中的排序。方法 运用举例与描述、文献与图像、事理与思辨相结合的方法，从“反形式论”与欧洲艺术设计的现代性转变历程出发，论述红蓝椅与瓦西里椅的产生及其过程，阐述红蓝椅是在“反形式论”的艺术思潮中艺术设计产品结构的现代性探索，瓦西里椅是艺术设计产品功能的现代性实现与意义升华。结果 “反形式论”是欧洲艺术设计现代性转变的艺术背景，“红蓝椅”与“瓦西里椅”是探究欧洲艺术设计现代性转变的2件典型设计产品。结论 阐释了“反形式论”、红蓝椅、瓦西里椅与欧洲艺术设计现代性转变的关系，指出艺术设计的现代性转变，关键在于思考设计中形式、构造、功能三大要素在设计观念中的排序。

This paper aims to explore the modern transformation of European art design. Proper use of an example and description, documents and images, reasonable and speculative, the method of combining the theory of "anti-formalism" with the modernity transformation of art and design in Europe, discusses the cause and process of red and blue chair and Vassily chair, red blue chair is on the theory of "anti-formalism" of the modernity of art trend of art design product structure, Vassily chair is the modern realization and significance sublimation of art design product function. Anti-formalism" is the artistic background of the modern transformation of European art and design, and "red and blue chair" and "Vassily chair" are both typical design products to explore the modern transformation of European art and design. It explains the relationship between "anti-formalism", red and blue chair, Vassily chair and the modern transformation of European art and design, and points out that the key to the modern transformation of art and design is thinking about the "three elements" of design philosophy - form, structure and function in the order of design concepts.