空间视角下的清瓷博古纹研究与设计应用

隋欣彤; 张越; 周青

doi:10.19554/j.cnki.1001-3563.2025.24.019

PDF(10873 KB)

包装工程（设计栏目） ›› 2025, Vol. 46 ›› Issue (24) : 234-247. DOI: 10.19554/j.cnki.1001-3563.2025.24.019

工业设计

空间视角下的清瓷博古纹研究与设计应用

隋欣彤, 张越, 周青^*

作者信息 +

Research and Design Applications of Qing Porcelain Bogu Patterns from a Spatial Perspective

SUI Xintong, ZHANG Yue, ZHOU Qing^*

Author information +

文章历史 +

摘要

目的清代瓷器屹立于我国工艺美术的巅峰时期,博古纹作为极具代表性的装饰母题,蕴含着深厚的造物智慧与文化内涵。本研究从空间视角切入,深入挖掘其背后的二维图式与三维器物的转译关系,从而实现文化的活态传承与当代价值再生。方法首先,采用文献研究法对博古纹的视觉信息与文化底蕴进行研究提炼;其次,使用AEIOU分析方法,结合问卷调查、实地调研,对博古纹产品的设计现状及用户特点进行分析;最后,通过空间史观深度挖掘博古纹中的空间信息,探索二维纹理多线设计的理论基础。结果将视觉信息、空间转译要素与用户产品需求综合梳理,进而推导出基于空间理论的博古纹产品设计模型。结论从空间视角出发深入研究清瓷博古纹,打破“从二维图像到二维设计”的线性设计流程,探索博古纹设计的多维可能。同时构建“人-物-场”的交互关系,将产品置于用户的具体使用空间中并搭载多维度载体,增强文化体验的沉浸感,进而更好地保护和宣扬传统博古文化。

Abstract

Qing porcelain stands at the pinnacle of China's arts and crafts. As a highly representative decorative motif, Bogu patterns embody profound creative wisdom and cultural connotation. The work aims to deeply explore the translation relationship between its two-dimensional patterns and three-dimensional objects from a spatial perspective, thereby realizing the dynamic inheritance of culture and the regeneration of contemporary value. Firstly, the literature research method was employed to study and refine the visual information and cultural essence of ancient patterns. Secondly, using the AEIOU analysis method, combined with questionnaire surveys and field research, the design status and user characteristics of ancient pattern products were analyzed. Thirdly, the spatial information in Bogu patterns was deeply explored through a spatial historical perspective, exploring the theoretical basis of multi-line design in two-dimensional textures. By comprehensively sorting out visual information, spatial translation elements, and user product needs, a design model for ancient pattern products based on spatial theory was derived. Starting from a spatial perspective, in-depth research is conducted on Bogu patterns on Qing porcelain, breaking the linear design process of "from two-dimensional image to two-dimensional design" and exploring the multidimensional possibilities of Bogu patterns design. At the same time, a "human-object-field" interactive relationship is constructed, placing the product in the specific usage space of the user and equipping it with multidimensional carriers to enhance the immersion of cultural experience, thereby better protecting and promoting traditional ancient culture.

导出引用1

隋欣彤, 张越, 周青. 空间视角下的清瓷博古纹研究与设计应用[J]. 包装工程. 2025, 46(24): 234-247 https://doi.org/10.19554/j.cnki.1001-3563.2025.24.019

SUI Xintong, ZHANG Yue, ZHOU Qing. Research and Design Applications of Qing Porcelain Bogu Patterns from a Spatial Perspective[J]. Packaging Engineering. 2025, 46(24): 234-247 https://doi.org/10.19554/j.cnki.1001-3563.2025.24.019

中图分类号： TB472

参考文献

[1] 文化和旅游部, 中国共产党中央委员会宣传部, 国家发展和改革委员会, 等. 关于印发《关于进一步推动文化文物单位文化创意产品开发的若干措施》的通知[S]. 北京: 文化和旅游部网站, 2021.
Ministry of Culture and Tourism, Publicity Department of the Communist Party of China, National Development and Reform Commission, et al. Notice on the Issuance of the "Several Measures for Further Promoting the Development of Cultural and Creative Products in Cultural and Cultural Relics Units"[S]. Beijing: The website of the Ministry of Culture and Tourism of the People's Republic of China, 2021.
[2] 张心瞳. 清代瓷绘博古纹考察[D]. 景德镇: 景德镇陶瓷大学, 2019.
ZHANG X T.The Investigation of Bogu Porcelain in the Qing Dynasty[D]. Jingdezhen: Jingdezhen Ceramic University, 2019.
[3] 赵学艺. 《宣和博古图》成书考[J]. 复旦学报(社会科学版), 2024, 66(6): 115-123.
ZHAO X Y.A Study on the Formation of Xuan He Bo Gu Tu[J]. Fudan Journal (Social Sciences), 2024, 66(6): 115-123.
[4] 刘文胜. 清康熙瓷绘博古纹兴盛原因与内涵探究[J]. 中国陶瓷, 2012(5): 33.
LIU W S.Exploring the Reasons for the Prosperity and Connotations of Qing Dynasty Porcelain Patterns during the Kangxi Period[J]. Chinese Ceramics, 2012(5): 33.
[5] 宋蕊, 朱康. 清代陶瓷博古纹的艺术特征探析[J]. 陶瓷研究, 2025, 40(167): 49-52.
SONG R, ZHU K.Exploration of the Artistic Characteristics of the Qing Dynasty Ceramic Bogu Pattern[J]. Ceramic Studies, 2025, 40(167): 49-52.
[6] 龚萱. 士子文人的生活隐喻–清代瓷器上博古图像的叙事性研究[J]. 湖南包装, 2024, 39(4): 1-5.
GONG X.Life Metaphor of Literati: a Narrative Study of Ancient Images on Porcelain in Qing Dynasty[J]. Hunan Packaging, 2024, 39(4): 1-5.
[7] 张澜. 清代服饰中的博古纹样研究及其在服装设计中的应用[D]. 北京: 北京服装学院, 2022.
ZHANG L.Research on Bogu Patterns in the Qing Dynasty Costumes and its Application in Fashion Design[D]. Beijing: Beijing Institute of Fashion Technology, 2022.
[8] 郑淇. “博古纹” 在神木地毯文创产品中的应用与推广[D]. 呼和浩特: 内蒙古艺术学院, 2024.
ZHENG Q.The Application and Promotion of "Bogu Pattern" in the Cultural and Creative Products of Shenmu Carpet[D]. Hohhot: Inner Mongolia Arts University, 2024.
[9] 李梦琦, 董海斌. 汉化像石中虎造型在文创产品设计中的应用研究[J]. 设计, 2024, 37(1): 68-72.
LI M Q, DONG H B.The Design and Application of Tiger Shape in Han Dynasty Stone Reliefs in Cultural and Creative Products[J]. Design, 2024, 37(1): 68-72.
[10] Mintel.2024 Global Consumer Trends[EB/OL]. (2023-10-19)[2023-10-19]. https://www.mintel.com/insights/consumer-research/relationship-renaissance-global-consumer-trends-for-2024/.
[11] 周金泽. 基于用户行为分析的APP用户知识图谱构建[J]. 现代电子技术, 2024, 47(1):129-133.
ZHOU J Z.Construction of APP User Knowledge Graph Based on User Behavior Analysis[J]. Modern Electronics Technique, 2024, 47(1): 129-133.
[12] 王厚涵, 覃京燕, 赫云. 黎陶包装的主题性设计创新研究[J]. 包装工程, 2024, 45(10): 385-394.
WANG H H, QIN J Y, HAO Y.Exploration of Innovative Theme-Based Packaging Design for Li Pottery[J]. Packaging Engineering, 2024, 45(10): 385-394.
[13] 李梦圆, 刘亭亭. 基于心流理论的博物馆数字文创设计研究-以故宫博物院为例[J]. 设计, 2024, 37(18): 118-121.
LI M Y, LIU T T.Research on Digital Cultural and Creative and Creative Design of Museums Based on Flow Theory–Take the Palace Museum as an Example[J]. Design, 2024, 37(18): 118-121.
[14] 赵志红. 艺术的空间转向与场域建构-从城市公共艺术景观论起[J]. 艺术百家, 2019(5): 30-37.
ZHAO Z H.The Spatial Turn and Field Construction of Art: From the Perspective of Urban Public Art Landscape[J]. Hundred Schools Arts, 2019(5): 30-37.
[15] 巫鸿. “空间” 美术史[M].钱文逸, 译. 上海: 上海人民出版社, 2017: 33-40.
WU H.Space In Art History[M]. QIAN W Y, translated. Shanghai: Shanghai People's Publishing House, 2017: 33-40.
[16] 尹怀斌. 论海德格尔 “诗意栖居” 思想的生态审美意蕴-基于海德格尔后期思想文本[J].鲁东大学学报(哲学社会科学版), 2024, 42(1): 18-24.
YIN H B.On the Implication of Ecological Aesthetics of Heidegger’s Thought of "Poetic Inhabitation": On the Basis of His Late Thought Texts[J]. Ludong University Journal (Philosophy and Social Sciences Edition), 2024, 42(1): 18-24.
[17] 陈小文. 环滁皆山也-从海德格尔的处身情态思想看《醉翁亭记》[J]. 同济大学学报(社会科学版), 2025, 36(2): 96-103.
CHEN X W.The Hills Surrounding Chuzhou: A Study on the Old Drunkard's Arbour from the Perspective of Heidegger's Concept of Befindlichkeit[J]. Journal of Tongji University (Social Science Edition), 2025, 36(2): 96-103.
[18] 汪少烽. 非物质文化遗产的产品设计方法探索[J]. 南京理工大学学报(社会科学版), 2021, 34(1): 29-34.
WANG S F.Product Design Methodology of Intangible Cultural Heritage[J]. Journal of Nanjing University of Science and Technology (Social Sciences), 2021, 34(1): 29-34.
[19] 文霞, 刘彩艳, 廖雪林, 等. 香云纱染整技艺可视化数字保护与传承研究[J]. 装饰, 2024(380): 92-100.
WEN X, LIU C Y, LIAO X L, et al.Research on Visual Digital Conservation and Inheritance of Dyeing and Finishing Techniques of Gambiered Canton Gauze[J]. Decoration, 2024(380): 92-100.
[20] 陈鑫航, 朱丹. 数字化技术下黎锦文创包装AR应用研究[J]. 文化产业, 2024(5): 114-119.
CHEN X H, ZHU D.Research on AR Application of Li Brocade Cultural and Creative Packaging under Digital Technology[J]. Culture Industry, 2024(5): 114-119.
[21] 张毅. 糖纸包装设计的本土化实践流变–以国民品牌大白兔为阐释对象[J]. 装饰, 2022, 5(349): 104-109.
ZHANG Y.The Localization Practice Change of Candy Wrapper Design: A Case Study of National Brand White Rabbit[J]. Decoration, 2022, 5(349): 104-109.
[22] 何素丹, 袁晓芳. 情感化视角下黎锦文创产品设计研究[J]. 包装工程, 2024, 45(10): 349-357.
HE S D, YUAN X F.Design of Li Brocade Cultural and Creative Products from the Perspective of Emotional Design[J]. Packaging Engineering, 2024, 45(10): 349-357.
[23] 李炜. 基于反思层次的文创产品情感化设计研究[J]. 艺术工作, 2020(6): 89-92.
LI W.Research on Emotional Design of Cultural and Creative Products Based on Reflection Level[J]. Art Work, 2020(6): 89-92.