Abstract
This paper aims to study the evolution of Chinese court art from ancient times to the present, and the relationship between court aesthetics and popular culture, combining the Chinese excellent traditional culture with the times, science and technology to enhance the aesthetic value of the design, at the same time, improve the national cultural soft power and national cultural identity, pride. The palace utensils and folk art in different historical periods in China, and the philosophy of creation in each era were collected and sorted, and their materials, technology, modeling, philosophy and culture, as well as the implicit internal relations were analyzed, so as to provide resources and inspiration for the combination of traditional Chinese culture and modern science and technology, and further realized the use of the past for the present and the cultural renaissance. As the core of imperial power aesthetics, the Chinese court art class covers thousands of years of Chinese wisdom. With the development of economy and science and technology, Chinese court art has truly integrated into the folk, from the appreciation of the elite to the daily necessities of the public, promoting the inheritance and innovation of Chinese traditional art, and improving the public's sense of identity and pride in national culture. We need to combine the excellent traditional Chinese culture with the ultimate creation technology and science and technology. By sorting out the digital model resource library of the shape, color and material, we can integrate it into the modern science and technology products, and make the correct guidance for the public aesthetic, so as to better realize the great rejuvenation of Chinese culture.
Key words
palace art; creation philosophy; mass culture; Chinese wisdom; Confucianism, Buddhism and Taoism; cultural creation; digitization
Cite this article
Download Citations
ZHOU Jia-jun, WAN Ran.
On the Enlightenment of Chinese Court Art to Cultural Creative Design[J]. Packaging Engineering. 2022, 43(8): 280-288 https://doi.org/10.19554/j.cnki.1001-3563.2022.08.036
{{custom_sec.title}}
{{custom_sec.title}}
{{custom_sec.content}}