The work aims to study and organize the creation logic, composition form, and connotation of Liangzhu divine human beast face patterns, analyze and extract Liangzhu divine human beast face patterns, use AIGC technology to creatively reorganize and sort the simplified graphics of Liangzhu, and explore a method for generating a Liangzhu divine human beast face pattern that integrates modern aesthetics. The research starts with the physical objects and literature materials of Liangzhu Museum, and through in-depth analysis of specific cases, the artistic style and commonly used forms, interprets the connotation and meaning of Liangzhu divine human beast face patterns were systematically and deeply analyzed. Typical elements of Liangzhu divine human beast face patterns were summarized and extracted. Typical graphics of Liangzhu were searched from the language and cultural connotations of modeling, and were automatically generated and optimized in combination with the characteristics of AIGC technology and algorithms. In conclusion, the innovative recombination and sorting of Liangzhu divine human beast face patterns using AIGC technology can help broaden the thinking of designers, translate the original totem decoration language into modern design language from the perspective of activating inheritance, make its forms more diversified, better integrate the connotation and concept of Liangzhu culture into modern home products, and broaden the design application ideas of home products.