To address the needs for the inheritance and innovation of the shadow puppet intangible cultural heritage in the Tianjin region, the work aims to employ semiotic analysis to explore the design approach for a Tianjin-style shadow puppet pattern library with the focus on its graphic symbol system and compositional rules and propose a digitally-readable primitive library for scholars and shadow puppet artisans. Based on the semiotic system of Tianjin-style shadow puppets, the approach to symbolic analysis was highlighted, the meanings of typical patterns were extracted, the digital imaging systems were used for storage, and the complete case studies of Tianjin-style shadow puppet figures were provided. Thus, the feasibility of integrating traditional inheritance with innovative design was explored. By establishing a symbolic analysis approach for Tianjin-style shadow puppet patterns, it is demonstrated that the semantic model of symbols can achieve an accurate mapping from visual elements to cultural connotations. This effectively generates patterns amenable to analysis within both traditional aesthetics and contemporary culture, provides expandable data resources for large language model training, and offers exploratory approaches and support for the innovative design of Tianjin-style shadow puppets.
Key words
Tianjin-style shadow puppetry /
visual elements /
symbolic analysis /
semantic extraction
{{custom_sec.title}}
{{custom_sec.title}}
{{custom_sec.content}}
References
[1] 崔博, 田思源. 数字技术对宝坻皮影戏的创新传承研究[J]. 包装工程, 2019, 40(24): 48.
CUI B, TIAN S Y.Research on Innovative Inheritance of Baodi Shadow Puppetry. by Digital Technology[J]. Packaging Engineering, 2019, 40(24): 48.
[2] 崔博, 田思源. 宝坻皮影戏中的视觉传达艺术表现手段研究[J]. 包装工程, 2019, 40(6): 35.
CUI B, TIAN S Y.Research on Visual Communication Art Expression Methods in Baodi Shadow Puppetry[J]. Packaging Engineering, 2019, 40(6): 35.
[3] 杨小乐. 非遗传承与文创产品设计融合的意义与策略研究[J]. 包装工程, 2025, 46(12): 40.
YANG X L.Research on the Value and Strategy of Integration between ICH Inheritance and Cultural and Creative Product Design[J]. Packaging Engineering, 2025, 46(12): 40.
[4] 刘璇. 数字经济与旅游业高质量发展的组态研究——基于30个省域案例的模糊定性比较分析(fsQCA)[J]. 时代经贸, 2025, 22(7): 51.
LIU X.Configuration Research on Digital Economy and High-quality Development of Tourism Industry—Fuzzy Set Qualitative Comparative Analysis (fsQCA) Based on 30 Provincial Cases[J]. Times Economic & Trade, 2025, 22(7): 51.
[5] 魏力群. 中国皮影戏的文化形态与存续生态探究[J]. 中国非遗文化遗产, 2022(3): 134-179.
WEI L Q.Exploration of the Cultural Form and Survival Ecology of Chinese Shadow Puppetry[J]. China Intangible Cultural Heritage, 2022(3): 134-179.
[6] 王泽靖, 余洋, 吉墨. “非遗”的数字化传承研究——以河南皮影戏动画耦合式设计为例[J]. 美术文献, 2025 (2): 21-22.
WANG Z J, YU Y, JI M.Research on Digital Inheritance of ICH—Taking the Coupled Design of Henan Shadow Puppetry Animation as an Example[J]. Art Literature, 2025(2): 21-22.
[7] 陈璐琪, 廖志宇, 杜军. 新媒体视阈下的非遗“皮影戏”数字活化设计研究[J]. 工业设计, 2025(2): 84.
CHEN L Q, LIAO Z Y, DU J.Research on Digital Activation Design of ICH "Shadow Puppetry" from the Perspective of New Media[J]. Industrial Design, 2025(2): 84.
[8] 李娜, 卢志坚. 兴化垛田的“幸福”传承[J]. 检察日报, 2022(3): 67-80.
LI N, LU Z J.The "Happy" Inheritance of Xinghua Duotian[J]. Procuratorate Daily, 2022(30): 67-80.
[9] 金羽. 非遗文化遗产数字化传播平台用户体验研究[J]. 南京艺术学院, 2023(5): 45-52.
JIN Y.Research on User Experience of Digital Communication Platform for Intangible Cultural Heritage[J]. Nanjing University of the Arts, 2023(5): 45-52.
[10] 过山, 陈添. 基于符号学的海宁皮影图案解析与设计研究[J]. 杭州电子科技大学学报, 2023(2): 6.
GUO S, CHEN T.Research on the Analysis and Design of Haining Shadow Puppetry Patterns Based on Semiotics[J]. Journal of Hangzhou University of Electronic Science and Technology, 2023(2): 6.
PDF(1094 KB)
渝公网安备 50010702501717号