| 戴荭.苗族银饰“蝴蝶妈妈”的文化记忆[J].包装工程,2017,38(10):246-250. |
| 苗族银饰“蝴蝶妈妈”的文化记忆 |
| Cultural Impression of Miao Silver Named "Butterfly Mother" |
| 投稿时间：2017-02-11 修订日期：2017-05-20 |
| DOI： |
| 中文关键词: 苗族银饰 装饰纹饰 锻制技艺 文化内涵 |
| 英文关键词: Miao silver pattern swage craft cultural connotation |
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| 中文摘要: |
| 目的 研究、推广苗族银饰艺术与工艺的传承与创新，保护我国的非物质文化遗产。方法 以苗族历史与民族服饰文化为基础，通过对“蝴蝶妈妈”和“鹡宇鸟”等图腾纹饰的解析，归纳苗族银饰的锻制技艺及流程，展现蕴涵其中的民族信仰、生活习俗、愿望等民族文化内涵。结论 创新苗族银饰纹饰的应用和家族式锻制技艺的传承模式有利于民族文化的传承和民族文化产品市场的繁荣。 |
| 英文摘要: |
| It does some research on the heritage and innovation of the patterns of Miao Silver so that the intangible cultural heritage can be extended and protected. It is based on the history of Miao Nationality and its culture of national costume. Through analyzing totem and patterns such as "butterfly" and "Jiyu" bird and via learning their belief, custom and the way of expression wishes, it sums up the art craft and process of swaging Miao silver, shows the powerful social function and national cultural connotation. The innovation of applying of Miao silver patterns and inheritance mode of swage craft make Miao Silver be considered not only a kind of craft or decoration, but also a kind of art which can promote the ethnic culture and proper the national cultural products. |
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