| 张明山,张雪.西北饮水器具骆皮壶设计[J].包装工程,2018,39(22):300-304. |
| 西北饮水器具骆皮壶设计 |
| Design of Drinking Pot Made of Camel Skin in Northwest China |
| 投稿时间：2018-07-28 修订日期：2018-11-20 |
| DOI：10.19554/j.cnki.1001-3563.2018.22.050 |
| 中文关键词: 西北 饮水器具 骆皮壶 设计 |
| 英文关键词: northwest China drinking pot camel skin pot design |
| 基金项目:教育部人文社会科学研究青年基金项目（17YJC760118） |
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| 中文摘要: |
| 目的 以西北少数民族地区特有的饮水器具骆皮壶为研究对象，从现代设计学的角度分析骆皮壶的设计特征和思想。方法 根据设计学对传统器具研究常用的4个维度即功能、造型、材料、工艺，分别对西北地区的骆皮壶进行设计角度的分析。首先，功能设计维度的分析，探究骆皮壶与使用者之间的用户定位；其次，造型设计维度的分析，探究骆皮壶作为饮水器具所体现的审美特征；再者，材料设计维度的分析，探究骆皮壶与地域环境之间的关联；最后，工艺设计维度的分析，探究西北传统皮作工艺的特色与文化价值。结论 对具有浓郁西北地域特色的饮水器具骆皮壶的研究可知，无论是其功能的定位、造型的创意、材料的采选、工艺的制作，还是使用的方式都体现了中国传统器具所蕴涵的优秀设计思想。不仅关注设计事物本身，而且关注物与物、物与环境、物与文化等多重关系，反映出了西北少数民族地区优秀的设计文化传统，对现代设计起到了重要的启示作用。 |
| 英文摘要: |
| The work aims to analyze the design features and ideas of the camel skin pot from the perspective of modern design, with the drinking pot made of the camel skin in the northwest minority areas as the research object. According to the four dimensions commonly used in traditional appliance research by the design science, namely, function, modeling, material and technology, the design angles of the camel skin pot in Northwest China were respectively analyzed. First, the functional design was analyzed to explore the user location between the camel skin pot and the user. Secondly, the modeling design was analyzed to explore the aesthetic characteristics of camel skin pot as the drinking pot. Thirdly, the material design was analyzed to explore the relationship between the camel skin pot and the environment. Finally, the technological design was analyzed to explore the characteristics and cultural value of the traditional leather processing technology in Northwest China. The study on the drinking pot made of the camel skin with strong regional characteristics of Northwest China shows that, the function positioning, modeling innovation, material selection, process making and using way of the drinking pot reflect the excellent design ideas of traditional Chinese products. It is not only concerned with the design of the objects themselves, but also about the relationships between objects, objects and the environment, objects and the culture. It reflects the excellent design cultural tradition of the northwest minority areas, which has played an important enlightening role in modern design. |
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