| 李少晨,朱宏轩.大汶口彩陶纹饰的美学特征及设计观念研究[J].包装工程,2020,41(14):355-362. |
| 大汶口彩陶纹饰的美学特征及设计观念研究 |
| Aesthetic Characteristics and Design Concept of Dawenkou Colored Pottery Decoration |
| 投稿时间：2020-04-13 修订日期：2020-07-20 |
| DOI：10.19554/j.cnki.1001-3563.2020.14.056 |
| 中文关键词: 大汶口原始造物文化 大汶口彩陶纹饰 美学 现代设计 再设计 |
| 英文关键词: Dawenkou original creation culture Dawenkou colored pottery decoration aesthetics modern design redesign |
| 基金项目:2018年度国家社科基金艺术学一般项目（18BG118） |
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| 中文摘要: |
| 目的 通过对大汶口原始造物文化的研究，发现其对现代设计观念、特点以及生成规律的影响。方法 以大汶口彩陶纹饰图案为研究对象，简述美学与大汶口彩陶的发展历程，对其文化理论、彩陶纹饰设计观念与美学关系进行梳理来研究彩陶中蕴含的美学特征，分析两者之间的联系，并通过对相关彩陶纹饰个案研究进行归纳，从纹饰形态演变、形制例析、现代设计应用例析等角度，聚焦其所涵盖的现代设计方法与传统造物文化之间的设计理念，从图案分析到设计实践，以加强当代设计作品的深度与内涵。结果 得出彩陶纹饰中蕴含的美学特征与设计观念两个层面对当代设计的启迪与影响。结论 传统纹饰符号具有丰富的美学意义，将有价值的资源融合在视觉传达设计方法的大量创意中的行为是对原生符号的再设计，用原生符号提炼、丰富核心价值，传播传统造物文化的延续与创新,以满足当代设计文化对原生文明的回顾与追寻。 |
| 英文摘要: |
| The paper aims to study and find the influences of the original creation culture of Dawenkou on concept, characteristics and generation law of modern design. With Dawenkou colored pottery decorative patterns as the research object, the development of aesthetics and the color pottery in Dawenkou was briefly described and the aesthetic charac-teristics contained in the colored pottery were analyzed by combing the cultural theory, the design concept of colored pottery decorative patterns and the aesthetic relationship. By summarizing the case studies on related colored pottery decorative patterns, it focused on the design concepts between modern design methods and traditional creation culture from the perspectives of the evolution of decorative patterns, the analysis of examples of forms and systems, and the analysis of examples of modern design applications, to enhance the depth and connotation of contemporary design works through pattern analysis and design practice. It was concluded that the aesthetic features and design concepts contained in the painted pottery patterns have an enlightening influence on the contemporary design. Traditional decorative symbols are of rich aesthetic significance. The integration of valuable resources into a large number of creative ideas of visual communication design is a redesign of the native symbols, to extract and enrich the core value with native symbols, continue and innovate the traditional creation culture, so as to satisfy the requirement on review and pursuit of native civilization of contemporary design culture. |
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