文章摘要
龚芸.互动设计在公共艺术介入乡村中的启示与研究[J].包装工程,2020,41(20):284-289.
互动设计在公共艺术介入乡村中的启示与研究
Enlightenment and Research of Interactive Design in Public Art Intervention in Countryside
投稿时间:2020-07-01  修订日期:2020-10-20
DOI:10.19554/j.cnki.1001-3563.2020.20.048
中文关键词: 公共艺术  乡村  互动设计  越后妻有大地艺术祭
英文关键词: public art  countryside  interactive design  Echigo-Tsumari Art Festival
基金项目:2019年度重庆市社会科学规划项目“公共艺术介入重庆乡村文化振兴实施路径研究”(2019YBYS153)
作者单位
龚芸 重庆广播电视大学重庆 400052 
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中文摘要:
      目的 探讨互动设计在公共艺术介入乡村语境下的内涵特征,梳理互动设计的构成要素,从内部关系入手阐述互动设计意蕴,为国内艺术乡建提供理论依据和指导。方法 以越后妻有大地艺术祭的典型性作品为研究基础,探讨互动设计内在要素的关联,提出互动设计是公共艺术介入乡村的核心所在,同时也是介入的起点,并从环境和主体两个方面分析;探讨互动性作品的表意关系,提出公共艺术介入乡村的互动设计机制,并从互动性作品的表意形态和内涵架构两方面分析。结论 乡村问题的复杂性和多样性,决定了公共艺术介入乡村的难度,互动设计作为一种公共设计实践的方法,只有厘清其相关概念和内在意义,才能促使公共艺术在乡村的实践中有更明确的目的和方向。
英文摘要:
      The work aims to discuss the connotative characteristics of interactive design in public art intervention in the countryside, comb the elements of interactive design and explain the meaning of interactive design from intrinsic relationship, to provide theoretical basis and guidance for rural construction of domestic art. Based on the typical works at the Echigo-Tsumari Art Festival, the interrelationship between internal elements of interactive design was explored. It was proposed that interactive design was the core of public art intervention in the countryside and also the starting point of intervention, which was analyzed from two aspects in environment and subject. The ideographic relationship of interactive works was also discussed, and the interactive design mechanism of public art intervening in the countryside was proposed, which was analyzed form the two aspects of ideographic form and connotation structure of interactive works. The complexity and diversity of rural issues makes it difficult for public art to intervene in the countryside. Interactive design, as a method of public design practice, will promote public art to have a clearer purpose and direction in practice in the countryside, by clarifying the relevant concepts and intrinsic significance.
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