| 黄敏,张佳薇,孙蓝蝶.《楚辞.九歌》文字意象的图像化研究及设计应用[J].包装工程,2022,43(12):392-402. |
| 《楚辞.九歌》文字意象的图像化研究及设计应用 |
| Research and Design Application of Pictorial Imagery in the Text of "Chu Ci-Jiu Ge" |
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| DOI：10.19554/j.cnki.1001-3563.2022.12.051 |
| 中文关键词: 楚辞 九歌 意象 图像化 |
| 英文关键词: Chu Ci Jiu Ge image graphical |
| 基金项目:2019年武汉大学教学研究项目教师教学发展专题研究(413200076);湖北省非物质文化遗产研究中心(湖北美术学院)(FY-2021-15);湖北文化创意产业化设计研究中心2021年度开放基金(HBCY2101) |
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| 中文摘要: |
| 目的 将代表楚文化精髓的《楚辞.九歌》从文字意象转换为图像，探索其图像化方法，并应用于现代设计中，为中国传统文化创新提供理论依据与实践参考，有助于增加楚辞图像研究的多样性，丰富楚文化研究。方法 使用文献研究法，查阅《楚辞.九歌》相关文献，深入理解文本内涵，捕捉文字意象;归纳法，将《楚辞.九歌》中的意象分类，归纳为精神意象和物质意象，分析各类意象的转化方式。精神意象主要包括各神代表的美好愿景;物质意象包括人物意象、动物意象、植物意象、器物意象、景物意象。结论 将《楚辞.九歌》的文字意象图像化，并应用于“年礼”设计之中。总结出在图像化精神意象时要先确定画面情节，再使用情绪版对每一章进行详细分析与转化，在图像化物质意象时则要形神兼备，古为今用，虚实结合。 |
| 英文摘要: |
| "Chu Ci-Jiu Ge" represents the essence of Chu culture. Converting it from textual imagery to images, exploring its pictorial approach and applying it to modern design can provide a theoretical basis and practical reference for the innovation of Chinese traditional culture, help increase the diversity of the study of images of Chu, and enrich the study of Chu culture. Using the literature research method, we review the literature related to the " Chu Ci-Jiu Ge" to deeply understand the connotation of the text and capture the textual imagery. Using the inductive method, we classify the imagery in the " Chu Ci-Jiu Ge" into spiritual imagery and material imagery, and analyze the transformation methods of each type of imagery. The spiritual imagery mainly includes the beautiful visions represented by the gods; the material imagery includes character imagery, animal imagery, plant imagery, artifact imagery and scenery imagery. The textual imagery of " Chu Ci-Jiu Ge" was pictorialized and applied to the design of the "New Year's Gift". The conclusion is that when visualizing the spiritual imagery, we should first determine the plot of the picture, and then use the mood board to analyze and transform each chapter in detail, while when visualizing the material imagery, we should use the method of combining both form and spirit, using the ancient for the present, and combining the real and the imaginary. |
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