| 龚琦芳,周起扬,徐超,徐进波.故宫飞檐脊饰图像再设计与数字艺术表现应用[J].包装工程,2023,44(8):253-264. |
| 故宫飞檐脊饰图像再设计与数字艺术表现应用 |
| Redesign and Digital Art Expression Application of Cornice Ridge Decoration Image in the Forbidden City |
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| DOI：10.19554/j.cnki.1001-3563.2023.08.027 |
| 中文关键词: 脊饰 设计基因 数字艺术 传统文化 |
| 英文关键词: ridge decoration design genes digital art traditional culture |
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| 中文摘要: |
| 目的 故宫作为世界五大宫殿之首被世人熟知，而其宫殿飞檐上的脊饰却因体量小易被忽视。脊饰深刻体现了中华传统文化之精髓，为传承和发扬优秀传统文化、建立“文化自信”，对故宫飞檐脊饰进行推广和创新。方法 运用图像基因提取法，从飞檐脊饰图像设计切入，将立体的脊饰雕塑转化为平面展示形式，在此过程中结合其历史典故、发展历程及其图像、色彩基因信息，系统性分析其纹样构成后与其神话性背景纹样结合，完成平面化的创新组合与重构。结果 考虑以重构的飞檐脊饰图像为中心的数字艺术交互装置落地方案，并寻求其适配的商业化场所与运用方案，从而完成飞檐脊饰在数字艺术中的运用与传播。结论 脊饰是中国传统文化的瑰宝，凝聚了我国民族文化、巧思、信仰、神话等。通过分析未来数字艺术呈现方式的多种可能性，强化数字艺术的沉浸感与互动体验，为传统纹样数字化呈现提出了新思路，并验证了其可行性。 |
| 英文摘要: |
| The Forbidden City is known to the world as the top of the five largest royal palaces, but its ridge decoration on the cornice is easily overlooked due to the small size. Ridge decoration deeply reflects the essence of traditional Chinese culture, so the work aims to promote and innovate in the cornice ridge decoration of the Forbidden City in order to better inherit and carry forward the excellent traditional Chinese culture. The image gene extraction method was used to transform the three-dimensional ridge decoration sculpture into a planar display form starting from the image design of the cornice ridge decoration. At the same time, the pattern composition was systematically analyzed according to the historical allusions, development process, image and color gene information and then combined with its mythological background pattern to complete the planar innovative combination and reconstruction. A scheme of digital art interactive device centered on the reconstructed cornice ridge decoration image was considered and its suitable commercial place and application scheme were explored so as to complete the application and dissemination of cornice ridge decoration in digital art. Ridge decoration is the treasure of traditional Chinese culture, condensing China's national culture, ingenuity, beliefs, myths, etc. By analyzing the multiple possibilities of digital art presentation in the future and strengthening the immersive and interactive experience of digital art, new ideas are proposed for the digital presentation of traditional patterns, and the feasibility is verified. |
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