目的 在文化融合的视角下，探讨桂东南宗祠屋脊图像中的文化内涵与叙事手段，通过挖掘和提炼，将其融合进现代图像设计中，探索基于文化融合的设计创新途径。方法 从桂东南宗祠屋脊图像的形成逻辑、视觉符号、语境叙事入手，并结合现代设计语言，对视觉元素抽象化提炼和归纳，来捕捉桂东南宗祠屋脊图像中的代表性元素。运用简化、概括或夸张的手法对抽象化的图像进行转译，通过剔除表面的浅显装饰来展现核心内容，完成桂东南宗祠屋脊图像的重塑。结论 桂东南宗祠屋脊图像不仅生动展现了我国文化融合的特点，也集合了地域文化的精粹与叙事逻辑，成为现代创新设计的宝库。现代图像设计应深入探索传统源流，为设计创新和图像叙事研究开辟新路径，不仅展现民族独特性，也能高效与现代生活接轨，实现文化的持续发展与再生。

and summarize visual elements, and capture the representative elements of these ridge decorations. By employing techniques such as simplification, generalization, or exaggeration, Abstract images were translated, and the core content was showcased by stripping away superficial decorations, to reshape the imagery of the ridge decorations and explore avenues for their integration with modern design. The conclusion drawn is that the image of ridge decorations on ancestral temples in southeastern Guangxi vividly portrays the characteristics of cultural integration in China, embodying the essence of regional culture and narrative logic, thus serving as a treasure trove for modern innovative design. Modern graphic design should delve into traditional origins, and pave new paths for design innovation and image narrative research, which can not only showcase ethnic uniqueness but also effectively align with modern life, and thereby facilitate the sustained development and regeneration of culture.