基于CiteSpace的皮影创新设计研究知识图谱分析

郜红合; 林泽栋; 张巍; 陈艺

doi:10.19554/j.cnki.1001-3563.2025.14.043

PDF(2850 KB)

包装工程（设计栏目） ›› 2025, Vol. 46 ›› Issue (14) : 419-431. DOI: 10.19554/j.cnki.1001-3563.2025.14.043

设计研讨

基于CiteSpace的皮影创新设计研究知识图谱分析

郜红合, 林泽栋, 张巍^*, 陈艺

作者信息 +

Knowledge Graph Analysis on Innovative Design of Shadow Play Based on CiteSpace

GAO Honghe, LIN Zedong, ZHANG Wei^*, CHEN Yi

Author information +

文章历史 +

摘要

目的为深刻把握中国皮影戏这一非物质文化遗产的创新设计研究动态与趋势,通过量化统计与可视化分析,揭示其研究进展与热点变化。方法本研究利用CiteSpace可视化软件,系统分析了过去二十四年间CNKI数据库中皮影创新设计研究论文的发文量、期刊、作者及合作、机构分布及合作、关键词共现与聚类以及突现词,从多个维度探讨了皮影创新设计研究的现状与发展脉络。结果该领域展现出地域性特征,缺少跨地域交流与合作。高等院校作为核心研究阵地,其内部及学者间合作紧密,整体网络结构却较松散。关键词分析显示,当前研究热点聚焦“非遗”“文旅融合”“互动体验”“创新开发”。此外,研究进程可划分为起步与初步探索、快速发展与多元化以及深化与融合三个阶段。结论皮影创新设计研究正逐步细化深入,未来研究趋势预示数字化、人工智能技术将成为皮影创新设计的重要推动力,关注文化多样性与地域特色将成为关键,个性化定制与文创产业拓展将促进其与现代市场的有效对接,跨文化融合与国际传播则为该领域研究开辟更为广阔的前景。

Abstract

In order to deeply grasp the research dynamics and trends of the innovative design of Chinese shadow play, an intangible cultural heritage, the work aims to reveal the research progress and hot spots through quantitative statistics and visual analysis. The visualization software CiteSpace was used to systematically analyze the number of publications, journals, authors and cooperation, institution distribution and cooperation, key word co-occurrence and clustering, and emergent words of research papers on innovative design of shadow play in CNKI database in the past 24 years, and the current situation and development context of the research on innovative design of shadow play were discussed from multiple dimensions. This field showed regional characteristics and there was a lack of cross-regional exchanges and cooperation. As the core research position, colleges and universities had close cooperation within and among scholars, but the overall network structure was loose. Key word analysis showed that the current research focused on "intangible cultural heritage", "cultural and tourism integration", "interactive experience" and "innovative development". In addition, the research process was divided into three stages of initial and preliminary exploration, rapid development and diversification, and deepening and integration. The research on innovative design of shadow play is gradually being detailed and deepened. The future research trend indicates that digitalization and artificial intelligence technology will become an important driving force for innovative design of shadow play. Paying attention to cultural diversity and regional characteristics will become the key, and the personalized customization and the expansion of cultural and creative industry will promote its effective docking with the modern market. Cross-cultural integration and international communication will open up broader prospects for the research in this field.

导出引用

郜红合, 林泽栋, 张巍, 陈艺. 基于CiteSpace的皮影创新设计研究知识图谱分析[J]. 包装工程（设计栏目）. 2025, 46(14): 419-431 https://doi.org/10.19554/j.cnki.1001-3563.2025.14.043

GAO Honghe, LIN Zedong, ZHANG Wei, CHEN Yi. Knowledge Graph Analysis on Innovative Design of Shadow Play Based on CiteSpace[J]. Packaging Engineering. 2025, 46(14): 419-431 https://doi.org/10.19554/j.cnki.1001-3563.2025.14.043

中图分类号： TB482

参考文献

[1] 林继富. 非物质文化遗产保护传承与建设中华民族现代文明[J]. 中南民族大学学报(人文社会科学版), 2024, 44(7): 91-99.
LIN J F.Protection and Inheritance of Intangible Cultural Heritage and Construction of Chinese Modern Civilization[J]. Journal of Central South University for Nationalities (Humanities and Social Sciences Edition), 2019, 44(7): 91-99.
[2] 麻国钧. 皮影戏艺术美学二论[J]. 戏剧(中央戏剧学院学报), 2024(3): 90-100.
MA G J.Two Theories of Shadow Play Art Aesthetics[J]. Journal of Central Academy of Drama, 2024(3): 90-100.
[3] 赵征, 刘华欣. 媒介技术视域下冀东皮影数字可视化与场景传播策略研究[J]. 电影评介, 2024(3): 97-101.
ZHAO Z, LIU H X.Research on Digital Visualization and Scene Communication Strategies of Eastern Hebei Shadow Play from the Perspective of Media Technology[J]. Film Review, 2024(3): 97-101.
[4] 刘波. 信阳皮影戏的当代传承境况研究[J]. 中国戏剧, 2022(3): 92-94.
LIU B.A Study on the Contemporary Inheritance of Xinyang Shadow Play[J]. Chinese Drama, 2022(3): 92-94.
[5] 李沛, 刘水. 望城皮影影人服饰图案的艺术特征及功能探析[J]. 丝绸, 2020, 57(8): 116-121
LI P, LIU S.Analysis on Artistic Features and Functions of Costume Patterns of Shadow Puppetry in Wangcheng[J]. Silk, 2020, 57(8): 116-121.
[6] 邱欣妍, 宗诚. 非物质文化遗产可视化传承路径探析[J]. 佳木斯大学社会科学学报, 2023, 41(2): 96-100.
QIU X Y, ZONG C.Analysis on Visual Inheritance Path of Intangible Cultural Heritage[J]. Journal of Social Sciences of Jiamusi University, 2023, 41(2): 96-100.
[7] 巫宇军. 我国音乐类非遗保护研究20年回顾与反思——基于CNKI期刊论文的可视化计量分析[J]. 中国音乐, 2022(1): 201-208.
WU Y J.Review and Reflection on the Research of Music Intangible Cultural Heritage Protection in China in the Past 20 Years — Based on Visual Econometric Analysis of CNKI Journal Papers[J]. Music of China, 2022(1): 201-208.
[8] 陈悦, 陈超美, 胡志刚, 等. 引文空间分析原理与应用: CiteSpace实用指南[M]. 北京: 科学出版社, 2014.
CHEN Y, CHEN C M, HU Z G, et al.Principle and Application of Citation Spatial Analysis: A Practical Guide to Citespace[M]. Beijing: Science Press, 2014.
[9] 聂梦羚, 刘坚平, 罗国柱. 基于文献计量学的非物质文化遗产设计研究进展可视化分析[J]. 包装工程, 2024, 45(10): 174-182.
NIE M L, LIU J P, LUO G Z.Visual Analysis of Research Progress in Intangible Cultural Heritage Design Based on Bibliometrics[J]. Packaging Engineering, 2019, 45(10): 174-182.
[10] 陈东博, 袁洪, 王璐, 等. 中国非遗产品设计的研究现状与发展趋势[J]. 包装工程, 2024, 45(14): 71-84.
CHEN D B, YUAN H, WANG L, et al.Research Status and Development Trend of Intangible Cultural Heritage Product Design in China[J]. Packaging Engineering, 2024, 45(14): 71-84.
[11] 窦金花, 张彬蕊, 钱晓松. 人工智能赋能文化遗产领域的研究综述——基于CiteSpace的可视化分析[J]. 包装工程, 2023, 44(14): 1-20.
DOU J H, ZHANG B R, QIAN X S.Research Review of Artificial Intelligence in the Field of Cultural Heritage: Visual Analysis Based on CiteSpace[J]. Packaging Engineering, 2023, 44(14): 1-20.
[12] 丁黎玲, 李强, 赛塔尔S. 基于CiteSpace的蓝印花布文献可视化计量分析[J]. 丝绸, 2024, 61(6): 98-107.
DING L L, LI Q, SETAL S.Visual Metrological Analysis of Blue Prints Based on CiteSpace[J]. Silk Fabrics, 2024, 61(6): 98-107.
[13] 巴莫曲布嫫. 申遗与履约: 从《保护非物质文化遗产公约》20年进程看中国实践与中国经验[J]. 民俗研究, 2023(6): 26-41.
BAMA Q B.Application and Implementation of the Convention: China's Practice and Experience from the 20-year Process of the Convention for the Safeguarding of Intangible Cultural Heritage[J]. Folk Studies, 2023(6): 26-41.
[14] 朱兵. 《中华人民共和国非物质文化遗产法》的主要内容与制度解读[J]. 中国非物质文化遗产, 2021(1): 6-14.
ZHU B.The Main Content and Institutional Interpretation of the Intangible Cultural Heritage Law of the People's Republic of China[J]. China Intangible Cultural Heritage, 2021(1): 6-14.
[15] 甘代军, 高唯唯. 非物质文化遗产保护的现代性困境及其突破[J]. 云南师范大学学报(哲学社会科学版), 2024, 56(3): 109-117.
GAN D J, GAO W W.The Modern Dilemma and Breakthrough of Intangible Cultural Heritage Protection[J]. Journal of Yunnan Normal University (Philosophy and Social Sciences Edition), 2024, 56(3): 109-117.
[16] 高涛, 陶飞宇, 刘思源. 顾客满意度视角下南京牛首山非遗文创产品设计研究[J]. 包装工程, 2024, 45(22): 211-221.
GAO T, TAO F Y, LIU S Y.Research on Design of Non-legacy Creative Products of Niushoushan in Nanjing from the Perspective of Customer Satisfaction[J/OL]. Packaging Engineering, 2024,45(22):211-221.
[17] 段晓卿. 2001—2020年CNKI非遗研究文献计量分析[J]. 文化遗产, 2021(4): 28-36.
DUAN X Q. Quantitative Analysis of CNKI Intangible Cultural Heritage Research Documents from2001 to 2020[J]. Cultural Heritage, 2021(4): 28-36.
[18] 李杰, 赵旭东, 王玉霞, 等. 我国电子商务物流配送研究热点与趋势分析[J]. 商业经济研究, 2017(9): 90-92.
LI J, ZHAO X D, WANG Y X, et al.Research Hotspots and Trends of E-commerce Logistics Distribution in China[J]. Business Economics Research, 2017(9): 90-92.
[19] 韩增林, 李琳, 张坤领, 等. 基于CiteSpace中国海洋经济研究的知识图谱分析[J]. 地理科学, 2016(3): 643-652.
HAN Z L, LI L, ZHANG K L, et al.Knowledge Graph Analysis of China’s Marine Economy Based on Citespace[J]. Scientia Geographica Sinica, 2016(3): 643-652.
[20] 汪自欢, 邢乐, 王蕾. 基于CiteSpace的国内汉服研究现状及趋势分析[J]. 丝绸, 2022, 59(6): 17-26.
WANG Z H, XING L, WANG L.Research Status and Trend Analysis of Chinese Hanfu Based on CiteSpace[J]. Silk, 2022, 59(6): 17-26.
[21] 周睿. 移影·制物·造境:四川皮影民俗文化的创意设计[J]. 中华文化论坛, 2013(8): 100-107.
ZHOU R. Shadow Shifting, Object Making and Environment Creation: Creative Design of Sichuan Shadow Play Folk Culture[J]. Chinese Culture Forum, 2013(8): 100-107.
[22] 毕君, 周睿, 费凌峰, 等. 四川皮影民俗特色旅游文创产品设计[J]. 设计, 2013(6): 9.
BI J, ZHOU R, FEI L F, et al.Design of Tourism Cultural and Creative Products of Sichuan Shadow Play Folk Custom[J]. Design, 2013(6): 9.
[23] 刘海英, 刘颁, 韩福丽, 等. 皮影元素在旅游纪念品设计中的应用研究[J]. 包装工程, 2018, 39(24): 333-339.
LIU H Y, LIU P, HAN F L, et al.Research on the Application of Shadow Play Elements in Tourist Souvenir Design[J]. Packaging Engineering, 2018, 39(24): 333-339.
[24] 刘露, 钟蔚, 丛洪莲, 等. 江汉皮影纹饰元素的艺术内涵及在现代服装中的创新表达[J]. 服饰导刊, 2021, 10(5): 84-89.
LIU L, ZHONG W, CONG H L, et al.The Artistic Connotation and Innovative Expression of Jianghan Shadow Play Decorative Elements in Modern Clothing[J]. Fashion Guide, 2021(10): 84-89.
[25] 刘露, 钟蔚, 刘安定, 等. 江汉皮影中影人服饰纹样的艺术特征及其设计分析[J]. 服饰导刊, 2019, 8(4): 67-73.
LIU L, ZHONG W, LIU A D, et al.Analysis on the Artistic Characteristics and Design of the Figure's Clothing Patterns in Jiang Han Shadow Play[J]. Journal of Costume Guide, 2019, 8(4): 67-73.
[26] 万福鑫, 牛瑞辰, 叶仲凯. 非遗视域下皮影与大漆工艺在海鸥手表产品设计的创新应用[J]. 西部皮革, 2022, 44(10): 121-123.
WAN F X, NIU R K, YE Z K.The Innovative Application of Shadow Puppets and Lacquer Technology in the Product Design of Haiou Watch[J]. Western Leather, 2022, 44(10): 121-123.
[27] 夏梦琪, 高小金, 史策, 等. 非遗文化东北皮影戏数字化线上文创系列产品的开发研究[J].玩具世界, 2023(3): 87-89.
XIA M Q, GAO X J, SHI C, et al.Research on the Development of the Upper Creative Series Products of the Digital Line of Intangible Cultural Shadow play in Northeast China[J]. Toy World, 2023(3): 87-89.
[28] 李红. 高等教育与非遗传播耦合机制研究[J]. 文化遗产, 2024(3): 17-23.
LI H.Research on Coupling Mechanism between Higher Education and Intangible Cultural Heritage Communication[J]. Cultural Heritage, 2024(3): 17-23.
[29] 唐平娟, 林常青, 郭娟. 基于CiteSpace国内数字贸易研究热点和趋势分析[J]. 现代贸易工业, 2023(12): 43-46.
TANG P J, LIN C Q, GUO J.Research Hotspot and Trend Analysis of Domestic Digital Trade Based on CiteSpace[J]. Modern Trade and Industry, 2023(12): 43-46.
[30] 贾文广, 史亦轩, 李国娟, 等. 动画产业中引入唐山皮影的传承创新发展研究[J]. 石家庄职业技术学院学报, 2019, 31(6): 50-52.
JIA W G, SHI Y X, LI G J, et al.Research on Inheritance, Innovation and Development of Tangshan Shadow Play Introduced into Animation Industry[J]. Journal of Shijiazhuang Vocational and Technical College, 2019, 31(6): 50-52.
[31] 纪万金, 刚芹果, 韩倩. 基于动力学模型的皮影动画[J]. 力学与实践, 2010, 32(5): 109-112.
JI W J, GANG Q G, HAN Q.Shadow Play Animation Based on Dynamic Model[J]. Mechanics and Practice, 2010, 32(5): 109-112.
[32] 方堃, 吴旦魁, 杨毅. 少数民族非物质文化遗产整体性保护模式研究[J]. 贵州民族研究, 2019(8): 47-51.
FANG K, WU D K, YANG Y.Study on the Overall Protection Mode of Intangible Cultural Heritage of Ethnic Minorities[J]. Guizhou Ethnic Studies, 2019(8): 47-51.
[33] 中共中央办公厅, 国务院办公厅. 关于实施中华优秀传统文化传承发展工程的意见[EB/OL]. (2017-01-25) [2024- 09-25]. https://www.gov.cn/zhengce/2017-01/25/content_5163472.htm.
General Office of the Communist Party of China Central Committee, General Office of the State Council. Opinions on Implementing the Project for Inheriting and Developing Excellent Traditional Chinese Culture [EB/OL]. (2017- 01-25) [2024-09-25]. https://www.gov.cn/zhengce/2017-01/25/content_5163472.htm.
[34] 陈香, 柳月. 基于满意度分析的皮影文化因子提取及设计应用[J]. 图学学报, 2019, 40(5): 953-960.
CHEN X, LIU Y.Extraction and Design Application of Shadow Play Cultural Factors Based on Satisfaction Analysis[J]. Journal of Graphics, 2019, 40(5): 953-960.
[35] 文化部办公厅, 教育部办公厅. 关于实施中国非物质文化遗产传承人群研修研习培训计划的通知[EB/ OL].(2015-11-17)[2024-11-25].https://zwgk.mct.gov.cn/zfxxgkml/fwzwhyc/202012/t20201206_916836.html.
General Office of the Ministry of Culture, General Office of the Ministry of Education. Notice on Implementing the Training Program for Inheritors of China’s Intangible Cultural Heritage [EB/OL]. (2015-11-17) [2024- 11-25]. https://zwgk.mct.gov.cn/zfxxgkml/fwzwhyc/202012/t20201206_916836.html.
[36] 国务院办公厅. 国务院办公厅关于转发文化部等部门中国传统工艺振兴计划的通知[EB/OL]. (2017-03- 24) [2024-09-25]. https://www.gov.cn/zhengce/content/2017-03/24/content_5180388.htm.
General Office of the State Council. Notice of the General Office of the State Council on Forwarding the China Traditional Craft Revitalization Plan by the Ministry of Culture and Other Departments[EB/OL]. (2017-03-24) [2024-09-25]. https://www.gov.cn/zhengce/content/2017-03/24/content_5180388.htm.
[37] 丰翔, 王晓蓬, 邱笑笑, 等. 基于CiteSpace的纺织服装足迹类文献计量分析[J]. 现代纺织技术, 2022, 30(1): 9-17.
FENG X, WANG X P, QIU X X, et al.Metrological Analysis of Textile and Garment Footprint Literature Based on CiteSpace[J]. Modern Textile Technology, 2022, 30(1): 9-17.
[38] 雷袁, 曾越. 红色文化主题皮影视觉形象设计探究[J]. 丝网印刷, 2024(16): 89-91.
LEI Y, ZENG Y.Research on Visual Image Design of Shadow Play With Red Culture Theme[J]. Screen Printing, 2024(16): 89-91.
[39] 刘宏芹. 唐山皮影包装设计与品牌塑造[J]. 包装工程, 2004, 34(2): 86-88.
LIU H Q.Tangshan Shadow Play Packaging Design and Brand Building[J]. Packaging Engineering, 2004, 34(2): 86-88.
[40] 王译泽, 张康夫. 中国皮影艺术在插画创作中的设计应用[J]. 设计, 2017(5): 146-147.
WANG Y Z, ZHANG K F.Design Application of Chinese Shadow Play Art in Illustration Creation[J]. Design, 2017(5): 146-147.
[41] 刘术云, 马冬. 皮影艺术在服装设计中的应用研究[J]. 西部皮革, 2019, 41(7): 95-96.
LIU S Y, MA D.Research on the Application of Shadow Play Art in Fashion Design[J]. Western Leather, 2019, 41(7): 95-96.
[42] 金花. 陕西皮影元素在服饰品中的应用初探[J]. 皮革科学与工程, 2023, 33(4): 99-104.
JIN H.Preliminary Study on the Application of Shaanxi Shadow Play Elements in Clothing[J]. Leather Science and Engineering, 2023, 33(4): 99-104.
[43] 蔡森. 多终端数字皮影交互系统的设计与实现[J]. 电子设计工程, 2016, 24(10): 187-190.
CAI S.Design and Implementation of Multi-terminal Digital Shadow Play Interactive System[J]. Electronic Design Engineering, 2016, 24(10): 187-190.
[44] 张紫然, 宋文芳, 张祖耀. 基于Kinect的人体-皮影交互体验装置设计[J]. 广东工业大学学报, 2022, 39(3): 83-88.
ZHANG Z R, SONG W F, ZHANG Z Y.Design of Human- shadow Play Interactive Experience Device Based on Kinect[J]. Journal of Guangdong University of Technology, 2022, 39(3): 83-88.
[45] 李昀芸. 将中国传统文化艺术的“灵、韵、境”注入现代UI设计[J]. 北京印刷学院学报, 2019, 27(8): 30-32.
LI Y Y.Inject the "Spirit, Rhyme and Environment" of Traditional Chinese Culture and Art into Modern UI Design[J]. Journal of Beijing Institute of Printing and Technology, 2019, 27(8): 30-32.
[46] 李菊红. 罗山皮影艺术在古典茶馆室内设计中的应用研究[J]. 福建茶叶, 2017, 39(1): 104-105.
LI J H.Research on the Application of Luoshan Shadow Play Art in Interior Design of Classical Teahouse[J]. Fujian Tea, 2017, 39(1): 104-105.
[47] 许立洁, 易建芳, 肖艳会. 体验经济下泰山皮影文创产品的设计策略[J]. 湖南包装, 2021, 36(4): 122-125.
XU L J, YI J F, XIAO Y H.Design Strategy of Taishan Shadow Play Cultural Creation Products Under Experience Economy[J]. Hunan Packaging, 2021, 36(4): 122-125.
[48] 刘爽, 马玮玮. 基于文献计量分析的非遗文创产品研究概况及热点分析[J]. 长春师范大学学报, 2023, 42(6): 184-190.
LIU S, MA W W.Research Overview and Hotspot Analysis of Non-legacy Creative Products Based on Bibliometric Analysis[J]. Journal of Changchun Normal University, 2023, 42(6): 184-190.
[49] 马晓娜, 图拉, 徐迎庆. 非物质文化遗产数字化发展现状[J]. 中国科学: 信息科学, 2019, 49(2): 121-142.
MA X N, TU L, XU Y Q.Current Situation of Digitization of Intangible Cultural Heritage[J]. Science in China: Information Science, 2019, 49(2): 121-142.
[50] 丁元竹. “十四五”时期非物质文化遗产系统性保护相关政策措施研究[J]. 管理世界, 2020, 36(11): 22-35.
DING Y Z.Study on Policies and Measures for the Systematic Protection of Intangible Cultural Heritage During the 14th Five-Year Plan Period[J]. Management World, 2019, 36(11): 22-35.
[51] 赵丽. 西府皮影艺术与现代室内设计的融合[J]. 建筑结构, 2021, 51(24): 162-163.
ZHAO L.The Fusion of Shadow Play Art and Modern Interior Design in Xifu[J]. Architectural Structure, 2021, 51(24): 162-163.