目的 在中华五千年文明中,传统吉祥纹样承载了丰富的文化记忆与象征意义,旨在探讨其在数字化背景下的创新应用路径,借助数字化手段,使传统纹样在当代家居美学中焕发新的生命力。方法 通过文献梳理剖析吉祥纹样的文化起源与符号逻辑并对纹样进行网格化解析与形状文法规则下的再设计。同时结合实验性创作,探讨其在不同家居空间中的应用效果。结果 研究表明,数字化方法能够在保持传统纹样文化内涵的同时,提升其在现代家居场景中的审美适配性与设计灵活性。结论 本研究提出“符号提取-数字转化-家居应用”的设计路径,为传统吉祥纹样的活态传承提供了新的实践方式。该方法不仅拓展了传统图案的表达边界,强化了吉祥纹样在家居产品中的装饰与审美功能,而且为现代家居美学的创新发展提供了可借鉴的思路与方法,进而推动中华优秀传统文化在当代家居生活中的深度融入与创新发展。
Abstract
Throughout China's five thousand years of civilization, traditional auspicious patterns have carried profound cultural memories and symbolic significance. The work aims to explore the innovative application path of traditional auspicious patterns in the context of digitalization, and to empower traditional patterns with new vitality in contemporary home aesthetics by means of digitalization. Through literature review, the cultural origin and symbol logic of auspicious patterns were analyzed, and the patterns were redesigned by grid analysis and shape grammar rules. At the same time, combined with experimental creation, the application effect of patterns in different home spaces was discussed. The results showed that digital methods could improve the aesthetic adaptability and design flexibility of traditional patterns in modern home scenes while maintaining their cultural connotation. A design path of "symbol extraction-digital transformation-home application" is proposed, which provides a new practical way for the living inheritance of traditional auspicious patterns. This method not only expands the expressive boundary of traditional patterns, strengthens the decorative and aesthetic functions of auspicious patterns in home products, but also provides references and approaches for the innovative development of modern home aesthetics, and thus promotes the in-depth and innovative development of Chinese excellent traditional culture in contemporary home life.
关键词
吉祥纹样 /
数字化 /
形状文法 /
创新设计 /
家居美学
Key words
auspicious patterns /
digitalization /
shape grammar /
innovative design /
home aesthetics
{{custom_sec.title}}
{{custom_sec.title}}
{{custom_sec.content}}
参考文献
[1] 郑军. 民间吉祥图案[M]. 北京: 北京工艺美术出版社, 2011.
ZHENG J.Folk Auspicious Patterns[M]. Beijing: Beijing Arts and Crafts Publishing House, 2011.
[2] 黄全信, 周晔翻. 中华五福吉祥图典: 福[M]. 北京: 华语教学出版社, 2003.
HUANG Q X, ZHOU Y F.Chinese Five Blessings Auspicious Patterns: Blessing[M]. Beijing: Sinolingua, 2003.
[3] 李砚祖. 装饰之道[M]. 北京: 中国人民大学出版社, 1993.
LI Y Z.The Dao of Decoration[M]. Beijing: China Renmin University Press, 1993.
[4] 陈慎. 中国传统吉祥纹样初探[D]. 福州: 福州大学, 2009: 15.
CHEN S.A Preliminary Study on Traditional Chinese Auspicious Patterns[D]. Fuzhou: Fuzhou University, 2009: 15.
[5] 王震亚, 李月恩. 设计概论[M]. 北京: 国防工业出版社, 2007.
WANG Z Y, LI Y E.An Introduction to Design[M]. Beijing: National Defense Industry Press, 2007.
[6] 赵维一, 尚玉萍, 康晓静, 等. 基于聚类算法的纺织品文物色彩提取与纹样数字化探索:以新疆巴里坤M12出土清代纺织品纹样为例[J]. 丝绸, 2023, 60(5): 8-18.
ZHAO W Y, SHANG Y P, KANG X J, et al.Exploration of Color Extraction and Pattern Digitization of Textiles Based on Clustering Algorithm: A Case Study of Qing Dynasty Textile Patterns Unearthed from M12 in Barkol, Xinjiang[J]. Journal of Silk, 2023, 60(5): 8-18.
[7] 张野, 纪托. 以福纹为例探析传统吉祥符号构成的设计思维[J]. 装饰, 2013(12): 80-81.
ZHANG Y, JI T.Based on the Fu Pattern to Analyses Design Thinking of Chinese Traditional Auspicious Symbol Composition[J]. Decoration, 2013(12): 80-81.
[8] 约瑟夫M B. 平面设计中的网格系统[M]. 徐宸熹, 张鹏宇, 译. 上海: 上海人民美术出版社, 2022.
JOSEF M B.Grid Systems in Graphic Design[M]. XU C X, ZHANG P Y, translated. Shanghai: Shanghai People's Fine Arts Publishing House, 2022.
[9] 陈奇猷. 韩非子新校注[M]. 上海: 上海古籍出版社, 2000.
CHEN Q Y.A New Collation and Annotation of Han Feizi[M]. Shanghai: Shanghai Classics Publishing House, 2000.
[10] 许宇敏. 清代蝙蝠纹样在服饰品设计中的应用研究[D]. 杭州: 浙江理工大学, 2023: 20.
XU Y M.A Study on the Application of Bat Patterns in the Qing Dynasty in Costume and Accessory Design[D]. Hangzhou: Zhejiang Sci-Tech University, 2023: 20.
[11] 宋诗一. 清朝蝠纹与福语的浅探和活化设计[D]. 杭州: 中国美术学院, 2015.
SONG S Y.A Preliminary Study and Activation Design of Bat Patterns and Blessing Texts in the Qing Dynasty[D]. Hangzhou: China Academy of Art, 2015: 10.
[12] 张建鑫. 中国蝙蝠主题图案研究[D]. 南京: 南京师范大学, 2019: 32-41.
ZHANG J X.Research on Chinese Bat Theme Patterns[D]. Nanjing: Nanjing Normal University, 2019: 32-41.
[13] 侯雅琪, 唐守帆, 李慧. 传统文化符号在现代家居设计中的融合应用研究[J]. 设计, 2024, 9(5): 1179-1186.
HOU Y Q, TANG S F, LI H.Research on the Integration and Application of Traditional Cultural Symbols in Modern Home Design[J]. Design, 2024, 9(5): 1179-1186.
[14] 李莉. 传统纹样数字化设计[M]. 北京: 中国纺织出版社, 2020.
LI L.Digital Design of Traditional Patterns[M]. Beijing: China Textile Press, 2020.
[15] 刘虹, 王璐. 基于形状文法的威县土布纹样再生设计应用研究[J]. 包装工程, 2024, 45(12): 327-328.
LIU H, WANG L.A Study on the Regenerative Design and Application of Weixian Handwoven Fabric Patterns Based on Shape Grammar[J]. Packaging Engineering, 2024, 45(12): 327-328.
[16] 李金莉. 基于网格系统的装饰图案设计方法研究[D]. 兰州: 兰州大学, 2022: 19-25.
LI J L.A Study on the Design Methods of Decorative Patterns Based on Grid Systems[D]. Lanzhou: Lanzhou University, 2022: 19-25.
[17] 李欣华, 潘思宇. 中国传统吉祥纹样意向表达的数字化诠释路径[J]. 浙江理工大学学报, 2025, 54(1): 95-103.
LI X H, PAN S Y.Digital Interpretation Paths of the Intentional Expression of Traditional Chinese Auspicious Patterns[J]. Journal of Zhejiang Sci-Tech University, 2025, 54(1): 95-103.
基金
国家社科基金艺术学重大项目(23ZD13); 2024年度江苏省教育科学规划重点课题(JS/2024/ZD0110-03637)