目的 揭示澄城刺绣纹样的文化语义传承机制并构建其现代化转译路径,解决传统工艺在当代设计语境中的创新性转化难题。方法 首先基于莫里斯符号学三重表征理论,从语构、语义、语用三个层面解构刺绣纹样的符号结构,建立包含63个基础单元的符号数据库及其释义矩阵。继而引入形状文法推演机制,通过形状演变、单元迭代、比例置换等方法,构建传统纹样向现代设计语言转化的创新路径。结论 本研究在确保文化符号可识别性的前提下,实现了审美价值的有效提升,从而在实践层面解决了文化传承与创新发展的二元对立问题。最终构建起“语义解析、语构提炼、语用析出、纹样选择、图案演变、应用验证”六位一体的方法论体系,为传统工艺的现代转化提供了可操作的理论范式。
Abstract
The work aims to reveal the cultural semantic inheritance mechanism of Chengcheng embroidery patterns and construct a modern translation pathway, so as to solve the problem of innovative transformation of traditional crafts in contemporary design contexts. Based on Morris's triadic theory of semiotics, the symbolic structure of embroidery patterns was deconstructed from three levels of syntactics, semantics, and pragmatics. A symbolic database comprising 63 basic units and their corresponding semantic interpretation matrix were established. Subsequently, by introducing shape grammar derivation mechanisms, including shape evolution, unit iteration, and proportion substitution, an innovative pathway for transforming traditional patterns into modern design language was constructed. Under the premise of ensuring the recognizability of cultural symbols, this work effectively enhances the aesthetic value, thereby resolving the binary opposition between cultural inheritance and innovative development at the practical level. Ultimately, a six-in-one methodological system consisting of "semantic analysis, syntactic refinement, pragmatic extraction, pattern selection, morphological evolution, and application validation" is established, providing an operable theoretical paradigm for the modern transformation of traditional crafts.
关键词
澄城刺绣 /
符号学 /
纹样解码 /
设计转译
Key words
Chengcheng embroidery /
semiotics /
pattern decoding /
design translation
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基金
2024年度陕西省艺术科学规划项目(SYG2024015)