目的 旨在提取辽代金银器开光装饰的文化基因,并探索其应用于文化创意产品设计的可行路径,以促进传统装饰艺术在现代设计中的传承与创新,驱动设计转化和增强文化认同感。方法 基于文化基因理论提取辽代金银器开光装饰的形态、布局、纹饰等文化因子,构建其文化基因图谱。同时运用AHP层次分析法与FCE模糊评价模型,分别确定因子权重并筛选核心设计要素。依据权重评价结果,选取高权重因子进行文创设计转化。结果 研究结果显示,如意形轮廓、多层多点布局、团龙纹、表面装饰工艺、祥瑞语义及跨文化影响等六项因子在相应因子层中权重较高,是设计转译中的优先选择要素。结论 本研究立足文化基因理论,对辽代金银器开光装饰的设计特征与文化内涵进行系统性分析、提取与创新转化,探索传统文化要素在当代设计语境下的转译路径,为传统文化资源的有序传承与设计创新拓展了理论视野与实践空间。
Abstract
The work aims to extract the cultural genes embedded in the openwork decoration of gold and silver vessels from the Liao Dynasty, and explore feasible approaches for applying these elements in cultural and creative product design, to promote the inheritance and innovation of traditional decorative arts within modern design practices, boost design transformation and enhance cultural identity. Based on cultural gene theory, cultural factors such as form, layout, and motifs of the openwork decoration on gold and silver vessels from the Liao Dynasty were extracted, and a corresponding cultural gene map was constructed. The Analytic Hierarchy Process (AHP) and the Fuzzy Comprehensive Evaluation (FCE) model were employed to determine the weights of these factors and screen the core design elements. According to the weight evaluation results, six factors, including ruyi-shaped contours, multi-layer and multi-point layouts, dragon medallion patterns, surface decorative techniques, auspicious symbolism, and cross-cultural influences, showed the highest weights in their respective layers, making them the preferred elements in the design translation process. Grounded in cultural gene theory, this work systematically analyzes, extracts, and creatively transforms the design characteristics and cultural connotations of openwork decoration on gold and silver vessels from the Liao Dynasty and further explores the translation path of traditional cultural elements in contemporary design contexts, thereby expanding the theoretical perspective and practical space for the sustainable inheritance and innovative development of traditional cultural resources.
关键词
辽代金银器 /
开光装饰 /
文化基因 /
层次分析法（AHP） /
模糊综合评价（FCE）
Key words
gold and silver vessels from the Liao Dynasty /
openwork decoration /
cultural gene /
Analytic Hierarchy Process (AHP) /
Fuzzy Comprehensive Evaluation (FCE)
{{custom_sec.title}}
{{custom_sec.title}}
{{custom_sec.content}}
参考文献
[1] 谷莉. 宋辽夏金装饰纹样研究[D]. 苏州: 苏州大学, 2011.
GU L.A Study on Decorative Patterns of the Song, Liao, Xia, and Jin Dynasties[D]. Suzhou: Doctoral Dissertation of Soochow University, 2011.
[2] 张景明. 金银器与草原丝绸之路研究[M].兰州: 兰州大学出版社, 2017: 226.
ZHANG J M.Gold and Silver Ware and the Grassland Silk Road[M]. Lanzhou: Lanzhou University Press, 2017: 226.
[3] 罗小聪, 黄胜. 谈陶瓷装饰中的开光艺术[J]. 中国陶瓷, 2004(6): 62-63.
LUO X C, HUANG S.On the Openwork Art in Ceramic Decoration[J]. China Ceramics, 2004(6): 62-63.
[4] 苟秉宸, 于辉, 李振方, 等. 半坡彩陶文化基因提取与设计应用研究[J]. 西北工业大学学报(社会科学版), 2011, 31(4): 66-69.
GOU B C, YU H, LI Z F, et al.Research on the Extraction and Design Application of Banpo Painted Pottery Cultural Genes[J]. Journal of Northwestern Polytechnical University (Social Sciences Edition), 2011, 31(4): 66-69.
[5] 孙玉明, 王一名, 邓凌羽. 使鹿鄂温克部落传统木工艺文化基因的提取及设计应用[J]. 家具与室内装饰, 2024, 31(9): 24-30.
SUN Y M, WANG Y M, DENG L Y.Extraction and design application of cultural genes of the traditional woodcraft of the Reindeer Ewenki Tribe[J]. Furniture & Interior Design, 2024, 31(9): 24-30.
[6] 温凯超, 王亚韶, 温蕊擎. 基于文化基因与形状文法的明代珐华纹样创新设计研究[J]. 包装工程, 2025, 46(12): 239-249.
WEN K C, WANG Y S, WEN R Q.Innovative Design Research of the Ming Dynasty Fahua Patterns Based on Cultural Genes and Shape Grammar[J]. Packaging Engineering, 2025, 46(12): 239-249.
[7] 冯艾卓, 夏帆. 景颇族织锦纹样中的文化基因提取及审美特征[J]. 丝绸, 2025, 62(5): 13-21.
FENG A Z, XIA F.Cultural Gene Extraction and Aesthetic Characteristics of Jingpo Ethnic Group's Brocade Patterns[J]. Journal of Silk, 2025, 62(5): 13-21
[8] 郭晓芳, 张晓娟. 科尔沁蒙古族刺绣艺术显性与隐性文化基因特征分析[J]. 丝绸, 2025, 62(4): 88-96.
GUO X F, ZHANG X J.Analysis of Explicit and Implicit Cultural Gene Characteristics of Horqin Mongolian Embroidery Art[J]. Journal of Silk, 2025, 62(4): 88-96.
[9] 徐祥伍, 杨铭晖, 李辉. 岭南灰塑文化基因提取与符号样式的设计转译[J]. 家具与室内装饰, 2025, 32(9): 68-76.
XU X W, YANG M H, LI H.Extraction of Cultural Genes and Design Translation of Symbolic Patterns in Lingnan Huisu[J]. Furniture & Interior Design, 2025, 32(9): 68-76.
[10] 陈存友, 王一丹, 赵思文, 等. 传统村落的文化景观基因评价与重构——以湘西自治州阿扎河村为例[J]. 西北师范大学学报(自然科学版), 2024, 60(4): 78-87.
CHEN C Y, WANG Y D, ZHAO S W, et al.Cultural Landscape Gene Evaluation and Reconstruction of Traditional Villages: A Case Study of Azhahe Village in Xiangxi Autonomous Prefecture[J]. Journal of Northwest Normal University (Natural Science), 2024, 60(4): 78-87.
[11] 张安华, 徐坤. 基于AHP-扎根理论的南朝石刻文化基因传承及设计转化[J]. 南京艺术学院学报(美术与设计版), 2023(3): 184-190.
ZHANG A H, XU K.The Inheritance and Design Transformation of Southern Dynasties Stone Carvings Cultural Genes Based on AHP-Grounded Theory[J]. Journal of Nanjing University of the Arts (Fine Arts and Design Edition), 2023(3): 184-190.
[12] 聂辉, 徐鑫, 李兴芬, 等. 花山岩画基因在文创产品中的创新设计研究[J]. 包装工程, 2025, 46(14): 210-222.
NIE H, XU X, LI X F, et al.Innovative Design Research on the Genes of Huashan Rock Paintings in Cultural and Creative Products[J]. Packaging Engineering, 2025, 46(14): 210-222.
[13] 张晓霞. “开光”的艺术——从流变到衍用[J]. 民族艺术研究, 2011, 24(5): 64-69.
ZHANG X X."The Art of 'Kaiguang'—From Evolution to Application"[J]. Ethnic Art Studies, 2011, 24(5): 64-69.
[14] 蔡花菲. “道器合一”——论传统陶瓷“开光”的成因与嬗变[J]. 中国陶瓷, 2015, 51(7): 87-91.
CAI H F."The Unity of Dao and Object"— On the Causes and Evolution of Traditional Ceramic “Opening”[J]. China Ceramics, 2015, 51(7): 87-91.
[15] BLACKMORE S.The meme machine[M]. Oxford: Oxford University Press, 1999.
[16] KROEBER A L, KLUCKHOHN C.Culture: A critical review of concepts and definitions[M]. Cambridge: Peabody Museum Press, 1952.
[17] 朱文平. 妪厥律即今鄂温克——兼论古民俗中的文化基因[J]. 北方文物, 1988(2): 54-59.
ZHU W P.Yujuelv Is the Modern Ewenki: with a Discussion on the Cultural Genes in Ancient Folklore[J]. Northern Cultural Relics, 1988(2): 54-59.
[18] 朱上上, 罗仕鉴. 工业设计中产品族设计DNA探讨[J]. 装饰, 2007(5): 118-119.
ZHU S S, LUO S J.Research on DNA of Product Family Design in Industrial Design[J]. Zhuangshi, 2007(5): 118-119.
[19] 柏贵喜. 文化基因的类型及其识别原则——基于民族工艺文化的一种构说框架[J]. 中南民族大学学报(人文社会科学版), 2021, 41(6): 57-64.
BAI G X.The Types of Cultural Genes and Their Recognition Principles — A Framework Based on Ethnic Craft Culture[J]. Journal of South-Central University for Nationalities (Humanities and Social Sciences Edition), 2021, 41(6): 57-64.
[20] 陈衍泰, 陈国宏, 李美娟. 综合评价方法分类及研究进展[J]. 管理科学学报, 2004(2): 69-79.
CHEN Y T, CHEN G H, LI M J.Classification and Research Progress of Comprehensive Evaluation Methods[J]. Journal of Management Sciences, 2004(2): 69-79.
[21] 朱天舒. 辽代金银器[M]. 北京: 文物出版社, 1998: 48.
ZHU T S.Gold and Silver Ware of the Liao Dynasty[M]. Beijing: Cultural Relics Publishing House, 1998: 48.
[22] 韩利, 梅强, 陆玉梅, 等. AHP-模糊综合评价方法的分析与研究[J]. 中国安全科学学报, 2004(7): 89-92.
HAN L, MEI Q, LU Y M, et al.Analysis and Research of AHP-Fuzzy Comprehensive Evaluation Method[J]. Journal of Safety Science and Technology, 2004(7): 89-92.
[23] 洪志国, 李焱, 范植华, 等. 层次分析法中高阶平均随机一致性指标(RI)的计算[J]. 计算机工程与应用, 2002(12): 45-47.
HONG Z G, LI Y, FAN Z H, et al.Calculation of the Higher-Order Average Random Consistency Index (RI) in the Analytic Hierarchy Process[J]. Computer Engineering and Applications, 2002(12): 45-47.
[24] 张铁男, 李晶蕾. 对多级模糊综合评价方法的应用研究[J]. 哈尔滨工程大学学报, 2002(3): 132-135.
ZHANG T N, LI J L.Application Research on Multilevel Fuzzy Comprehensive Evaluation Method[J]. Journal of Harbin Engineering University, 2002(3): 132-135.
基金
国家社科基金艺术学项目（24EG250）; 内蒙古草原英才工程科研资助项目
PDF(3566 KB)
渝公网安备 50010702501717号